Mother Earth

Kukutza III was a gaztetxe (self-managed social centre) in the neighbourhood of Rekalde, Bilbao. It was occupied in 1998, and it was evicted by the police in 2011. The documentary shows some activities that were hosted by the gaztetxe.

A documentary view of the Basque ball-game in which a small hard leather ball is hit against a wall. The film gives an impression of the game itself and of those who play it, not only the star performers (and the myths that surround them), but also those who just play in the streets and alleyways. The film sees the game it its cultural context and conveys the emotions and stories that are peculiar to the Basque country.

A singer frozen in old black and white photos. Forever young. Encapsulated. Trapped in the frame, just like her voice on her vinyl records. Forgetting that the point of view is chosen. Forgetting that, in addition to being a singer, Lurdes Iriondo is also an essential reference in the transmission of Basque culture. She understood that children were the key, and she worked for them.

The discovery of a series of unreleased tapes leads Juan Carlos Pérez, leader of the iconic group Itoiz, to reflect on the dissolution of the band at its peak, after a clear change of style towards pop that he still denies today. Juan Carlos will thus begin a cathartic journey to the essence of the group, reliving the beginnings of the band as a progressive rock group in Mutriku in the 70's, which will serve him to reconcile with the past.

In 1967, in the midst of Franco's dictatorship, a group of seminarians thirsty for freedom founded the group Enarak. They played pop, rock and psychedelia, styles that were foreign to the society of the time, and all of it entirely in Basque. After hundreds of concerts, they mysteriously disappeared in 1971. Fifty years later, the singer's son, Beñat, sets out to find traces of the group, immersing himself in a film labyrinth that mixes ornithology, collage and eccentric research.

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.

The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.

Utopías y otras especies

The history of the citizens' movement that for thirty years worked hard to overcome fear, fight hatred and eradicate the violence exercised by the savage terrorist gang ETA, both in the Basque Country and in the rest of Spain.

An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.

Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.

At just 17 years old, Eduardo Madina and Borja Semper decided to enter politics to defend freedom of thought in the Basque Country. This made them a target of the ETA terrorist group for almost two decades.

The abject crimes of the terrorist gang ETA have marked the lives of many Spaniards; men, women and children who were silenced, harassed, persecuted, finally murdered. Thirteen stories, thirteen tragedies, just thirteen among thousands.

In a temple in Thailand, an order of Buddhist monks are performing a ceremony for people who headed there to get re-incarnated. There, we meet Tarn, a young Thai woman who lived in the Basque Country some years ago and who is still fascinated with that region, food and culture.

Basque Country, Spain. No one seems to know them. Some glances avoid theirs. Their social circle becomes smaller and smaller. They live under escort, watched by those who protect them and by those who threaten them: it is the experience of living in the shadow of ETA, a savage terrorist gang of unscrupulous criminals… of merely existing under the yoke of those who tomorrow could be their executioners.

The massacre occurred 500 years ago. In 1525, the Spanish Royal Council ordered the execution of five members of a cult recently discovered in the Pyrenees. This event marked the beginning of a relentless, century-long prosecution against Basque witchcraft, which exhibited all the hallmarks of the great European witch hunts, including an unstable border between powerful nations, revolts against the lords, raging misogyny, confessions obtained under torture, and mass accusations. These past five centuries, only one account has been heard: that of the inquisitors and jurists, the same ones who invented the myth of flying witches who met with the devil at sabbats to plot their crimes.

The turbulent story of the Lagun bookstore — located in San Sebastián, in the Basque Country, Spain — is a powerful tale of courage, resistance and struggle; first against the Franco dictatorship, then against the terrorist gang ETA and its numerous and sinister acolytes.

Donostia-San Sebastián, Basque Country, Spain, 2011. Maider, a filmmaker, moves to the very same flat where pedadogist Elbira Zipitria Irastorza (1906-1982) clandestinely established the first ikastola, a Basque school, under the harsh regime of dictator Francisco Franco. Despite of her pioneering work, developed throughout thirty years, her story is not well known, so Maider, intrigued, begins to research…

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.