Green Street

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.

"A young filmmaker studying at the Alexandria Higher Institute of Cinema (AHIC) struggles with an internal conflict; torn between his deep loyalty to his hometown of Alexandria and his burning desire to immerse himself in the vibrant film scene of Cairo, the bustling capital. He discusses the matter with a fellow AHIC student, where they share their thoughts and questions about the meaning of success and their personal aspirations. This shared exploration becomes a search for a guiding light, a clue that reveals whether their chosen paths will lead them to their desired futures.

The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.

A portrait of 14-year-old Wen Bin and a Sri Lankan monk. They walk different landscapes of their residences - a temple, a home, a body.

This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.

Human action is often influenced by the desire for knowledge. This desire is in itself a positive impulse and could be said to be the basis of all progress. Let's move this statement to the ground of scientific research at CERN, and see if it applies here - and then test the common experience that human stupidity permeates every social stratum and, in the case of the elites, is a potential threat.

A vivid encounter with former three time Czech National Boxing Champion. Experience the rise and fall in the career of a female fighter.

Two instants separated by 99 days conflict with each other.

An intimate look into Demers family's experience raising children while dealing with the societal stigmas around disabilities and the consequences of Alberta's forgotten experiment in eugenics.

Gavin built a giant volcano sculpture that's now in his dad's shed. Gavin seeks his dad's understanding but he's uninterested in modern art and refuses to participate in the documentary.

Vianočný dar

Film in hand. Carnival in the global village.

Through rhythmic re-composition of fragmented images, semi-surreal situations are explored in a documentary style of observation of a man's obsession with a powerful animal, the black horned bull, and the Spanish process of taxidermy through which he attempts to embody its beauty and strength, turning into a Minotaur. The subdued basement space in which the man meticulously studies the motionless flesh of the animal is preceded by a sunlit, empty arena in Spain, the stage in which the bull is presented in its full glory before facing man.

A film about filmmaking.

A misunderstood and isolated transgender teenager takes revenge upon his unaccepting parents. A powerful supernatural entity known as the Bug God contacts him to help him do the deed. A mysterious organization produces a largely fictitious made-for-TV docudrama on the subject.

A Culpa é do Sol

Washed up adult film star Buster Coffey attempts to get his career back.

As a small liberal arts college on the North Shore, Gordon College has not been without its issues. Budget cuts in 2019 resulted in the downsizing of several departments which impacted students' college career. In 2020 during the heat of the pandemic, racial tensions rise after hate crimes are committed on campus. This is the story of the class of 2022.

This documentary about the people of Blšany is seen through the eyes of Mr. Tříska, the local one-room school principal and an amateur filmmaker, creator of a movie about “the smallest community in the world with a first league soccer team.” He guides us through an eerie village marked by Communism, a hamlet awakened from its lethargy once every two weeks by a first league soccer match. “Meetings were also held in the country,” claims Tříska, “but executions and trials took place in town. A person had to be careful in the country if he didn’t want to be denounced, but when he went to the doctor he knew he wouldn’t pay for prescriptions; and the bus cost a crown fifty, not ten like today.”