Morir un Poco

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

A tiny courtyard, life within the walls of the penitentiary... This is their daily life. But that cannot fully define them. These are also young people with dreams. "Outside", everything seems violent, chaotic and limitless…

Fulano de Tal

A documentary on the restoration of Rogério Sganzerla's 1970 film "Copacabana, Mon Amour".

A short film made from photos of Boca do Lixo, a bohemian and marginal neighborhood, and its people.

Filmed over a period of 3 years, this video work is a meditation on the borderline of the river Tejo, between Marvila and Barreiro. A psychogeographic piece that seeks out a feeling of doubt, inertia, and waiting. "Two sides, along the boundary line All the weight of the water above Metal arms extended to the heavens As if the sky was tilting to meet them And those giants again; Four by four . . . . all in a line, up against the tide."

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

MEDÉIA

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025

Não matei ninguém e mesmo assim fui ao Cinema

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

A documentary about Margaret Cho's homeless outreach campaign inspired by the philanthropy of Robin Williams. After the death of her friend Robin Williams, Margaret Cho took to the streets of San Francisco with the mantra "Don't grieve Robin, BE Robin." What started as Margaret busking on the corner with a bag of socks and a guitar case, rapidly turned into hundreds of musicians, comedians, and homeless advocates spreading food, clothes, money, and awareness in an amazing humanitarian street theater experience. The film that captured these events, is not only entertaining, but deeply moving and above all else inspiring.

This heartwarming and at times touching documentary chronicles the preparation, experience, and aftermath of the University of Nebraska at Omaha's Black Studies Department, students, and community persons as they embark upon the inauguration of President Barack Obama. A mixture of cinema verity and interview, this documentary provides an eyewitness accounting of the event through emerging primary stories representative of a broad array of cultural and occupational backgrounds. It is the cinematic documentation of the joy, the laughter, and the tears as 55 passengers board a bus and travel over 2,000 miles for an experience of a lifetime.

“The Fallbrook Story,” is a 20-minute film of Cold War-era uneasiness in which director Frank Capra rails against what he calls the evils of Big Bureaucracy. In 1951, Capra lived in Fallbrook, California on his 1,000-acre Red Mountain Ranch farm filled with olive groves. The federal government, which had purchased the old Rancho Santa Margarita land in 1941 to build Camp Pendleton, was concerned that ranchers upstream would take or pollute the Santa Margarita River, which ran through Camp Pendleton. Capra’s film documents how Fallbrook residents fought back against the federal government.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1939.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1940.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1942.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1946.