The Unemployed

Bill Moyers tells the story of several hardworking Milwaukee families struggling with low-paying jobs after previous employers downsized their operations. Filmed over a period of five years, these families were first featured in Moyers’s 1992 documentary ‘Minimum Wages: The New Economy.’ FRONTLINE chronicles the families’ emotional and financial strains, their search for better jobs and job retraining, and looks at Milwaukee’s efforts to adapt to an ever-shrinking industrial sector.

How do seven young people, former street children from Romania, get to see the Pacific Ocean? On 1 December 2008, a Romanian national team participates for the first time in the Homeless World Cup in Melbourne, Australia. The film follows the team from the formation of the squad to the end of the championship. The young people are from Timisoara and Arad, runaway children who now live in abandoned houses or who have managed to get a job and live in rented accommodation after going through orphanages or prisons. After taking a beating from many teams, the young Romanians manage to beat the USA. They are happy. They are all thinking of never going "home" again. It's warm and nice here, the people are nice. "In case I stay, I kissed you all!" says one of them cautiously. But after taking pictures of themselves on the beach with the ocean behind them and beautiful girls by their side, the seven return to Romania and get on with their lives.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

22-year-old Kei refuses to conform to the Japanese achievement-oriented society. He is homeless by choice, living on the streets and under the bridges of Kyoto. His love for nature and music keeps him afloat in his dream world. However, when he runs out of money, he is forced to face reality.

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

Tomasz Biernacki’s thought-provoking documentary about the homeless crisis in Seattle. Deftly interweaving in-depth stories of community members who are living the crisis on the streets with interviews of political leaders and community advocates, vivid images of the current state of affairs and a poignant examination of the roots of homelessness in the region, Biernacki paints a picture of a city struggling to come to grips with an unprecedented emergency, and finds a few glimmers of hope.

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Following four Lakota families over three years, Homeland explores what it takes for the Lakota community to build a better future in the face of tribal and government corruption, scarce housing, unemployment, and alcoholism. Intimate interviews with a spiritual leader, a grandmother, an artist, and a community activist from South Dakota’s Pine Ridge Indian Reservation reveal how each survives through family ties, cultural tradition, humor, and a palpable yearning for self-reliance and personal freedom.

With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.

Images and numbers illustrate the domestic political measures taken after the Nazis came to power to eliminate unemployment.

In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.

It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.

Most movie fans know that the first filmmakers liked to shoot trains entering stations. This example by Sussex film pioneer George Albert Smith illustrates why. The train's rush towards the audience brings movement and visual drama. The flurry of human activity offers plenty for the audience to engage with - who are these people and where are they going? And the time pressure exerted by the fact that the train must soon depart adds narrative tension - will everyone get on and off in time?

Tony Buba, a film maker from Braddock, Pennsylvania, tells the story of his hometown's decline (along with the rest of the steel mill towns along the Monongahela River) while he dreams of making higher budget films. The picture documents, in a lighthearted way, the community anxiety and activism that accompanied the failure of the steel industry around Pittsburgh, Pennsylvania.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

A naturalistic story about the realities of healthcare and houselessness from the perspective of Ramon Duarte, a houseless welder who receives care from Miami Street Medicine, a street medicine team. In Miami, where rising housing costs are forcing folks onto the streets, the doctor's work is more important than ever.

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

Just as the original hobos of the early 20th century were scorned the mainstream of society, so too are today's train riders. FREELOAD is a dive into a beggar's existence. It is a ride through America's backyard. It is a musical endeavor that feels like a drama. It is a sociological examination of the ignored.

De Charles de Gaulle à Emmanuel Macron, les gardiens de l'empire

Through the eyes of a young drifter who rejects society's rules and intentionally chooses to live on the streets, Chinese filmmaker Nanfu Wang explores the meaning of personal freedom – and its limits.