90 Nights Around the World

Mondo Sacramento 2 features 6 true tales from Sacramento's seedy underground. Mondo Sacramento 2 is a film that is part true crime reenactment/Mondo film/Docudrama, all filmed in Sacramento at many of the actual locations. Lynn Lowry stars as Dorothea Puente- The boarding house killer. The other 5 stories feature the Gallego couple killings, the Karen G. story, The attempted assassination of President Ford, along with 2 more strange tales. Mondo Sacramento 2 is the sequel to Mondo Sacramento. All Crazy and all based on true stories.

Mondo style documentary about European nightlife.

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

Three tales from Sacramento's lurid past. The Vampire of Sacramento, The Batgirl and Palm Sundae.

With reference to little scientific theses, sexual rituals and preferences around the world are shown.

A shockumentary mixtape consisting of four videos taken off the internet. Includes a real grave robbing tutorial, an actual dark look in the inside of a mortuary, a man who delivers "just desserts" to his family and a hunting video for innocent small creatures.

Documentary on famed erotic icon Pandora Peaks. Last film directed by Russ Meyer.

Mondo Topless is a 1966 pseudo documentary directed by Russ Meyer, featuring Babette Bardot and Lorna Maitland among others.

Tomboy - I misteri del sesso

The film documents the night life scenes of both Hong Kong and Macau, from nightclubs, sauna baths to young ladies making category III VCDs.

Arquivos da Morte - Guerra Civil

Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.

Rare mondo film focusing on the seamier side of Paris. Crazy fashions, transgender hookers, coke snorting New Wavers, female body builders, nude beaches, leather bars, a wealthy playboy’s private torture dungeon and some X-rated dildo insertion to liven things up.

Mondo documentary.

Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

A disturbing documentary about true murders and real death.

Notti Calde d'Oriente (released in English-speaking countries "Orient by Night"), the 1962 Roberto Bianchi Montero Italian mondo strip tease sexploitation documentary featuring Takeucmi Keigo and His Imperial Japanese Dancers, Bommie the International Dancer of New Orleans, Chiquita and her Jamaican Strip-Tease, The Two Jolly Sisters, and Dodo D'Amburgo the Queen of the Strip-Tease. Note that this was one of the approximately 100 "sexy nocturne" mondo style documentaries that were produced between 1959 and 1970, mainly in Italy. They are documentaries that include segments of strippers, which allowed them to include nudity that had formerly only been seen in nudist movies. The strippers are shown performing their acts, and there was an attempt to film them artistically.

Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.

It is a documentary, which submits to the public the most dramatic, subhuman situations in which men find themselves living in all corners of the world. From India to Brazil, from the African nations of the Sahel to Bolivia, the camera ruthlessly shows the images of a humanity marginalized in a thousand ways by the so-called"civil consortium".