The Sentimental Teaser

Eighteen very different stories are told in this horror anthology film, as we get to see time travel, robots, aliens, murder, killer dolls and even the apocalypse.

“Urban Motives 4.1” is an anthology film consists of 5 short movies by 5 Azerbaijani directors. The first, by Anar Abbasov, is about a relationship between a man and women who live next door; second, by Ru Hasanov, is about a life of a musician who is different from others with his mentality; third, by Teymur Ismayilov, tells a story of a young worker who has his own dreams; fourth, by Jafar Akhundzade, is about traumas caused by war; and the last one, by Vugar Islamzadeh, is a story about a criminal group and an officer who wants to take revenge.

Three loosely-connected tales that represent different aspects of love: temptation, dreams, and adventure.

Five grisly tales from a 1950s-style comic, including a murdered father rising from beyond, a bizarre meteor, a vengeful husband, a mysterious crate's occupant, and a plague of cockroaches.

Three macabre tales from the latest issue of a boy's favorite comic book, dealing with a vengeful wooden Native American, a monstrous blob in a lake, and an undying hitchhiker.

Three love stories. The same country that condemns them. A queer Guatemalan anthology that explores love between men in a society without LGBTQ+ rights. FIRST: Two teenagers discover their attraction at a party, experiencing that first kiss that changes everything. TRUE: A bitter comedy about an ex who discovers her new boyfriend's secret at his wedding. LAST: Heartbreaking drama about a seven-year, closeted relationship that collapses.

Leroy, Reggie and Cheruce Paloni host a Halloween special full of spooky shorts from a group of up-and-coming animators.

The film tells about the inhabitants of the Russian city of Tsaritsyn-Stalingrad-Volgograd. The film consists of three novellas, united by the theme of love and the scene - a city on the Volga.

This follow-up to the George Romero/Stephen King-launched anthology series features five new tales of horror and a wraparound. The main stories deal with alternative realities ("Alice"), possessed communication devices ("The Radio"), vampires and serial killers in lust ("Call Girl"), mad inventors ("The Professor's Wife"), and hauntings from beyond the grave ("Haunted Dog").

Chad Buckley is super crazy about horror movies, but also very lonely. He mostly spends his days in his small movie shop having wild discussions with his only returning customer, Sam.

A romantic film composed of seven intertwining love stories. Couples in love offer a glimpse into their intimate private lives as they deal with emotional problems proportional to their age and nature. Teenagers experience their first romantic love; young artists try to cope with the success and fame that has invaded their privacy; a self-destructive bohemian encounters a pure, religious being; an unfaithful husband must make a fateful decision; a lazy cynic unexpectedly falls in love; self-centered seniors with unsuccessful pasts try together to build a better future, and love disrupts even the world of paid private prostitution.

Soul of Silence is an anthology that represent three stories of labour families and individuals from Assam. These below poverty line people also have different frequencies of emotions and conflicts. This film tries to draw them on screen

An anthology of eleven vignettes featuring star-studded casts of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.

1. A taxi driver barely finishes his coffee before a young woman asks for a ride to impress her boyfriend, only to reveal her beau’s ramshackle “plan” beside his sleek car. He then smooths over a quarreling couple, helps a frustrated engineer solve his machine’s fault in a dream, and delivers a masked father’s gifts for his estranged daughter. 2. Mr. Kalina, an airport employee, fulfills a flight attendant’s plea by taking in an orphaned African girl for the night. He ensures her safe transfer to a children’s home the next day. 3. Zaza, a coquettish milliner’s assistant, juggles the attentions of a shy tailor and her stern salon manager. After a humiliating fall on the runway, the tailor comforts her and stages a private reprise, revealing where her heart truly belongs.

At the surreal Vesta Awards, a ceremony dedicated to honoring the worst tragedies of romance, a sharp-tongued host guides the audience through four stories about the darker side of love: obsessions that spiral out of control, unrequited devotion, a strange emotional “infection,” and a costume party where death itself seems to be a guest. As the ceremony unfolds, the spectacle of the show begins to blur with the tragedies it presents, revealing that in love everyone is performing… even when the ending has already been written.

Queer Boys and Girls on the Shinkansen brings together ten filmmakers and artists who consistently affirm what it means to be gay or lesbian in their work. Habakari chose ten filmmakers to make a five-minute work each, developed around a gay or lesbian theme, and compiled the resulting shorts in random order to create this omnibus film. The result is a queer film, by queer filmmakers, for a queer audience. Each short is its own short story, and the styles range from drama and experimental film and animation. (2024 complete version includes all eleven films, 65 mins.)

An anthology film created under one theme by 3 directors who are creating their own colors in contemporary Mongolian cinema.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.

Four young women are somewhat desperate in their relationships, since their male partners are not the most successful types. But does that mean you have to break up with them? In his fast-paced comedy, Santa YAMAGISHI takes a closer look at romantic clichés and the truths that lie behind them.