Donald is an admiral on a seagoing voyage with his nephews in which they encounter a ravenous shark.
A bumbling sawmill employee tries to win the hand of the owner's daughter while staying out of the clutches of the mill's bullying foreman.
This film deals with a Jewish family in Montreal, Canada as they care for a dying grandmother and the young boy who is impatient to get the room he was promised as soon as she kicks the bucket.
The story follows the son of a millionaire from the 1920s to the 1960s. After losing his fortune in the stock-exchange crash, he teams up with an equestrienne and becomes a circus clown.
Professor Ludwig von Drake plays a variety of popular music, all of which he wrote. First, ragtime: the Rutabaga Rag, with vegetables dancing in stop-motion. Next, the Charleston, with cut-out animation of a singer and dancers. Dixieland and more cut-out animation; the crooner/love ballad; 50's doo-wop; and finally, rockabilly.
Tom is chasing Jerry again. In a panic, the mouse runs into the doghouse of little Tyke, the bulldog. Right next to the sleeping Tyke sleeps Spike, his father. Tom unthinkingly snatches the puppy out of his house. When Spike wakes up and sees this, he delivers a stern warning: Stay away from my boy, or else. Jerry realizes that sticking close to the boy is the best way to repel his feline tormentor, but Tom is not about to let the mouse evade him so easily.
The lady of the house has gone out for a few hours, leaving her baby in the care of a stereotypical 1950s teenager, who immediately begins calling her friends. Tom and Jerry must call a truce to their constant chases as the baby, unsupervised, continually gets loose. When the baby escapes out the front door, Tom and Jerry chase it to a construction site, where they frantically try to keep it from harm.
A young mouse arrives at the Parisian headquarters of the King's Mouseketeers with a letter from his father, François Mouse, asking Jerry to teach the lad to be a Mouseketeer. Lessons begin for the French-speaking boy, but although he's charming, he's hopeless and when he gets into a scrape with Tom, Jerry sends the garçon packing. As the boy is leaving Paris, he hears the noise of fighting, and he returns to find Jerry in a fight for his life with Tom. Champagne corks, a paint brush, and a barrel of wine are props in the lad's attack. But has he lost all his clumsiness?
The city of Anyburg decides its traffic situation has gotten out of hand, so it puts the automobile on trial. The trial (conducted in rhyme) starts with a car that was in a hit-and-run accident, followed by a sports car whose sins are peeling rubber and general hot-rodding, followed by a heap, on trial for lack of safety. Next, a number of safety equipment designers testify that, despite their best efforts, the accident rate keeps rising. Through all this, the defense lawyer declines to ask questions. A highway designer bemoans the problems on his beautiful roads. At last, defense. He shows a number of scenarios, pointing out that the real problem isn't the car but the driver. Everyone left the courtroom, declaring the car not guilty, and drove politely again, for a little while.
A hapless loser (with the surname of Loser) undergoes misadventures with avaracious clergy, a tired horse, and a walking granary (among other things) on his road to collectivized happiness.
While Angela meditates, Viril is typing the numbers one through one thousand.
Tom has a chunk of the leftover chicken just before his owner George goes to look at the fridge. He threatens to take care of whichever animal did it. Tom frames Spike the dog, but Jerry snaps a photo of him in the act, prints up dozens of copies, and then battles Tom to get George to see one of them.
In the span of five years, pioneering director D.W. Griffith delivered some 450 films for the Biograph Company at a rate of two or three films per week. One and two reels in length, these works showed the filmmaker inventing, borrowing, and perfecting techniques he later used to memorable effect in "The Birth of a Nation," "Intolerance," "Way Down East" and "Orphans of the Storm." Including Lillian and Dorothy Gish, Mary Pickford, Mack Sennett, Lionel Barrymore, Henry Walthall, and Mae Marsh. Among the 22 titles included on this landmark release are such widely recognized masterworks as "The Musketeers of Pig Alley," "The Battle at Elderbush Gulch," "The New York Hat," and "A Corner in Wheat."
A sailor is desperate for fresh water to drink while adrift on a raft in the sea.
The creation of Earth and Mankind. And how God changed his mind.
Spike gets a job running the house for a hibernating bear. Only problem is that same bear is VERY noise-sensitive, and Spike's got a rival that wants his job.
A crazy squirrel provokes a dog into trying to catch him throughout the picture.
The wolf, the champion toreador, and Droopy, the challenger, are competing to see who is best in the bullring in the hopes of winning the hand of actress Lina Romay (who appears in a live action shot).
The king of the jungle, after a well spent day terrorising the rest of the animals, is petrified by a mouse.
The big bad wolf starts out chasing Little Red Riding Hood but switches to Cinderella after seeing the film's title, and ends up being chased in turn by her fairy godmother.