Odia cinema's first feature film is a Ramayana mythological telling of Rama's wedding to Seeta. It shows Rama and Lakshmana coming to the court of King Janaki. Rama must not only lift a huge bow, but also string it and use it if he is to win Seeta's hand in marriage. Rama strings and breaks the bow with his strength.
Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.
Sri Rama Pattabhishekam (Coronation of Lord Rama) is a 1978 Indian Telugu-language Hindu Epic film directed and produced by N. T. Rama Rao. King Dasharatha's queen Kaikeyi makes unusual demands to thwart the coronation of Lord Rama as king of Ayodhya. As a result, Lord Rama is forced to undergo several challenges.
This film depicts the complete life of Sri Rama.
The film depicts the life of Lord Rama from birth to his marriage with Seetha.
An epic musical drama depicting the preface to Seetha and Rama's wedding.
Ramakien: The Fall of Nontok is a mythological epic inspired by Thailand’s national literature, the Ramakien, that explores the origins of conflict between gods and demons. The film centers on Nontok, a loyal yet mistreated guardian in the celestial realm whose duty leaves him subjected to constant humiliation by the angels, slowly fueling his resentment and inner turmoil. When divine forces grant him extraordinary power, Nontok’s struggle between duty, pride, and vengeance begins to threaten the balance of the universe, prompting the gods to take action. Rich in traditional Thai imagery, emotional depth, and spiritual symbolism, the movie examines themes of karma, justice, and the consequences of power, setting the stage for a legendary confrontation that shapes the fate of the worlds.
Taking a leaf from Hindu mythology, it revolves around Mareecha, Ravanan's brother and Idumban. Mareecha and Idumban both love Mandakini. But Mandakini loves Mareecha. Hence Mareecha and Idumban often cross swords with each other. Mareecha in the guise of a deer to attract Sita is killed by Lord Rama and according to a curse turns into a rock. Years later, cut to the present day, he is freed from this curse, when Sita, a young woman falls on this rock. Mareecha takes it upon himself to protect Sita at all times. Sita works as a secretary to Rajaram, an estate owner. When she realizes that Rajaram's relatives were milking him of his wealth, she tightens the purse strings, thereby earning their wrath. And in order to kill her, the relatives hire Pandi, who butchers goats for a living.
Born during an age when the demon Ravana terrorized the world, Rama is the virtuous, wise, and powerful prince of Ayohya. As a young man, he is able to accomplish what no other man has ever done: he lifts and strings the bow of Siva, and by so doing her earns the right to marry the beautiful Sita.
After inspector Dev stirs the reign of Veeraiya, a tribal outlaw, the latter responds by kidnapping his wife, Ragini. While she tries to escape from him, Dev fights many resistances to find her.
Follows Rudhra's perilous adventures as ancient Varanasi stands on the brink of catastrophe from a looming asteroid in 2027 CE, unfolding across multiple timelines and distant continents.
A group of conceited debate-club students go from facing each other to facing their fears, and staring into the cold eyes of a Hindu demoness. A seemingly scholastic night turns into a struggle for survival as ancient myths and secrets are quickly unearthed.
Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.
An AI-generated film about the Hindu god Hanuman; it will draw from the sacred texts of Indian epic 'Ramayana' and Puranic literature to create what producers describe as an “awe-inspiring, visual odyssey designed to be enjoyed as a shared experience in theaters.”
A story inspired by the original RAMAYANA, retold in a futuristic universe, involving brave warriors who possess ancient powers from another dimension.
7000 years ago, Ayodhya's Prince Raghava and Prince Sesh along with the Mighty Vanar Warriors travels to the island of Lanka with an aim to rescue Raghava's wife Janaki, who has been abducted by Lankesh, the king of Lanka.
Jahan Jahan Charan Pade Raghuvar Ke (English title: Footprints of Lord Rama in His 14 Years Exile) is a 26-episode documentary web series retracing the 14-year Van Gaman of Lord Shri Ram as described in the Ramayana. The series follows the sacred route from Ayodhya to Lanka, documenting over 200 historically and culturally significant sites across India. Filmed on real locations rather than studio recreations, it captures authentic rivers, forests, caves and ashrams linked to Rama’s exile. The first phase covers Ayodhya, Shringverpur, Prayagraj and Chitrakoot, including Ram Ghat, Kamadgiri, Gupt Godavari, Sharbhanga Ashram, Suteekshan Ashram and Viradh Kund. Upcoming schedules extend through Dandakaranya (Chhattisgarh), Panchvati (Nashik), Kishkindha (Hampi) and Dhanushkodi. Produced by Pomy Films, the series is hosted and directed by international award-winning filmmaker Sunil Babbar, blending spiritual reflection with on-ground historical documentation.
The second movie in David Hare's Johnny Worricker trilogy. Loose-limbed spy Johnny Worricker, last seen whistleblowing at MI5 in Page Eight, has a new life. He is hiding out in Ray-Bans on the Caribbean islands of the title, eating lobster and calling himself Tom Eliot (he’s a poet at heart). We’re drawn into his world and his predicament when Christopher Walken strolls in as a shadowy American who claims to know Johnny. The encounter forces him into the company of some ambiguous American businessmen who claim to be on the islands for a conference on the global financial crisis. When one of them falls in the sea, their financial PR seems to know more than she's letting on. Worricker soon learns the extent of their shady activities and he must act quickly to survive when links to British prime minister Alec Beasley come to light.
Sylvia returns to Sweden after having lived abroad for six years. She visits her sister Karin, and is shocked to see how her husband and children regard her as a live-in housekeeper. She convinces Karin to take a vacation with her in Stockholm.
When a boy is too confused to speak with his non-communicative family, words eventually lose their meaning. He decides to communicate with his dandruff and a cup of cold coffee instead. His father ignores these eccentricities, assuming it is just a ploy to get attention. Meanwhile, the boy's sister likes exercising seductively in front of men and is better able to capture her father's attention than her brother. Their mother is oblivious, perpetually talking to people on her mobile phone and the space the family occupies grows narrower and narrower.