Paganini

Zuzana grew up and took her first blows from life. She got caught up in bad company, ended up in prison and after her release she tries to start again. She meets Juraj, a sympathetic driver, but when he seems to have found what she was looking for in him, he leaves her to try his luck in pop music. On top of that, Zuzana has to fight off attacks from her former partner Rony, now a rich gangster, who tries to seduce her. There is something for every teenager in this attractive musical. From a series of action scenes, shootouts, fights, love, the male friendship of the tough guys and their flashy trucks, to smuggled guns, mobsters holding the corrupt police and judiciary in their grip, plenty of songs and humour, and a glimpse into the corrupt backstage of show business.

Three sisters—Nunung, Nana and Nenny—are being raised by their grandmother in Jakarta after their mother's death. Though the sisters' father Sukandar lives with them, he is too involved in his own work to pay them heed.

Fine-arts student Zosia is a young daredevil mural painter who enlivens Warsaw with lovely graffiti. She lives with her mother Roma and grandmother Romy in a beautiful villa that has come under threat from property developers. Romy has long lost the deeds to the house. Will the women lose their home? And will they want to stay there once Roma finds new love and granny reveals a secret from long ago?

This harmless Universal musical comedy is worth having as one of the few filmed records of legendary Broadway comedian Jimmy Savo (his previous starrer, Once in a Blue Moon, is among the rarest of collector's item). The story proper is carried by Robert Wilcox and Nan Grey, cast as a pair of mismatched lovers who share a common interest in horse racing. Hero and heroine get mixed up in a shady get-rich-quick scheme, which threatens to turns disastrous but which ends up solving everyone's problems.

Navy ensign Nellie Forbush and Marine lieutenant Joseph Cable find love and confront bigotry (including their own prejudices) while stationed in the South Pacific during World War II. Filmed version of the 2008 Broadway revival featuring the original cast. Original broadcast on the PBS series "Live From Lincoln Center" (season 35, episode 3).

Two tortured souls. Two dirty confessions. One fateful night.

From legendary songs of Papa T. Bop. It follows Iyus, who lives with mother after his father's death. He has imaginary friend, Babah Tbob (only visible to Iyus), who helps him become a genius on his journey.

The Queen Aleena Chronicles is centered around one thing: Queen Aleena. Dr. Robotnik is out to conquer Mobius, what else is new, and some of his plans include: marrying the Queen, kidnapping the Queen, stealing the Queen's crown jewel, and unbalancing the peace in the valley of Mobius. It's, of course, up to Sonic and his siblings to stop Robotnik while using the power of music to settle all their feuds.

Secrets of the Chaos Emerald focuses on Sonic, Manic and Sonia as they help Knuckles, Floating Island's stern guardian of the Chaos Emerald, protect the Chaos Emerald from Dr. Robotnik and his henchmen, Sleet and Dingo. If the Chaos Emerald gets into the wrong hands it can be used as a weapon against Sonic and Mobius, but at the same time the Chaos Emerald can be used to save Mobius - there has never been so much pressure on Sonic and his siblings.

In a desperate attempt to sing, a mute servant steals potions from a conceited and dangerous warlock.

Aspiring writer Lucy Simon embarks on a psychedelic road trip to the planet Mars with her brash, unnamed drug dealer behind the wheel in this hallucinogenic space adventure presented entirely through the use of close-up photography.

While his wife is away, Frederick Stumplefinger lets his kids go out jitterbugging on a school night, only to have his wife return early.

Young Vova summons the wizard and asks him to find a friend who looks like him. So a man appears in the apartment, both in appearance and in character, similar to Vova.

After a disastrous concert, Gloria, the guitarist, and Paula, the drummer, and Mikel, the singer, find themselves locked in the dressing room because of the angry fans waiting for them outside. Due to the anger and the fact that the situation has reached a breaking point, the discussion between the members of the group becomes increasingly serious and personal. Gloria, in an act of desperation, expresses her disagreement with the direction the group has taken.

Elza

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.

Charlie is a factory owner struggling to save his family business, and Lola is a fabulous entertainer with a wildly exciting idea. With a little compassion and a lot of understanding, this unexpected pair learn to embrace their differences and create a line of sturdy stilettos unlike any the world has ever seen!

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

"You could have met in the office over coffee and cake to say congratulations, and that would have been that," writes Claes Eriksson in the preface to the 30th anniversary party's program. But that will not be the case...