This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
Four heirs to a family fortune are summoned to appear at the family estate for the reading of the will, where they meet the estate's staff, which includes a nurse, a crazed doctor, and a sinister handyman.
After accidentally killing an opponent in the ring, a professional wrestler takes a job at a group home for youth offenders. But when a psychopath wearing a wrestling mask begins butchering the teenage residents, their rehabilitation will become a no-holds-barred battle for survival. Originally filmed in 1994 but completed in 2019.
One of the two earliest horror films ever made. This film is presumed lost.
Doctor Zorba and his followers plan to bring Dracula back to life using electronic means, using blood from victims. Batman saves Marita Banzon and defeats Dracula's creators.
Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.
Surgeon Crisp announces to his student doctors and friends that he has solved the problem of limb-grafting, and shows proofs. Among those deeply interested is Mortmain, a musician and a friend of the surgeon.
After coming under suspicion for a computer technician's murder, six hackers team up to try to find the real killer.
The abandoned Balfour House, the owner of which was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. This film was lost in the 1965 MGM vault fire; only a few stills exist.
Much-married and once successful writer Henry T. Aythecliff, now heavily in debt, summons his three ex-wives to his mansion, planning to extort a sizable amount of money from each. When he is discovered dead, clues indicate that each of his four wives had motive and opportunity to murder him, and a young detective must sift through some ingeniously devised evidence.
A murdering skyjacker parachutes to safety and poses as a novice monk in an isolated New Mexico monastery.
Frivolous young Marie de Severac is frightened into following a more virtuous path, when her father relates a story in which an equally frivolous woman is entombed alive. The movie was Rex Ingram’s directorial debut, and he later remade the film as Trifling Women in 1922. Black Orchids is considered to be a lost film.
A man discovers that he has two personalities--and one of them is a notorious strangler.
A condemned man uses hypnotism on a judge. After the man's death, the judge finds himself acting like the condemned man.
A Filipino re-edit of the original Godzilla. Appears to have been edited in a similar fashion to the American King of the Monsters!, with the use of Filipino actors. No footage of this version has ever surfaced.
The Flicker Alley DVD "Georges Méliès: Encore New Discoveries (1896-1911)" misidentified a partial hand-colored print of the 1906 film "Alchimiste Parafaragaramus ou La cornue infernale" (The Mysterious Retort) as this film, "L'hallucination de l'alchimiste" (An Hallucinated Alchemist) from 1897, which continues to be considered a lost film.
An old Indian legend tells of the supposed ability of persons who have been turned into wolves through magic power to assume human form at will for purposes of vengeance. This film is presumed lost.
This is the story of the heartless mother whose burdens are such that she would be rid of her two children. The henpecked father is compelled to take them to the woods and there lose them. Gretel drops bread-crumbs to find her way home, but wild-fowl eat the crumbs and they are truly lost. The babes wander to the home of a witch, who would fatten them up to make ginger-bread of them. As they are about to be thrown into the blazing furnace Peggy outwits the witch, and, in turn, the witch is thrust into the roaring flames, as the mother, repentant, heads the neighbors in the work of rescue.
A reconstruction, made from still photographs, of the lost 1927 Tod Browning film London After Midnight (1927) starring Lon Chaney.