Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
A photographer is murdered just outside of where a college dance is being held. The body is discovered by Lee Watson, but promptly disappears, as it's whisked around the campus by an ex-con night watchman. However, he is not the killer, and Freddie, Betty, Dodie, and Lee set out to find the culprit, who managed to put a big damper on the big dance.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera in a studio.
This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.
A character from a musical film falls into the real world in this short, predating similar films by Woody Allen (The Purple Rose of Cairo) and Wojciech Marczewski (Escape from the 'Liberty' Cinema).
"Welcome to Wherever You Are" is an 18-minute documentary that follows INXS behind the scenes at a charity concert in 1992. In addition to providing an interesting look at the lead-up to a concert, this program includes performances of the songs "Heaven Sent" and "Taste It."
A light grey room. A slender woman of 50 and a 12 year old boy. Joined together like the links of a chain. Changing positions at a constant rate. One flowing movement. Never losing touch with each other. A game played by a mother and her child. A kind of tango. Sound of feet. Breathing. Faint smiles. Until suddenly the woman's hands let go of each other.
Alone in the woods, a young man is pursued by a horrifying specter and by visions of his deceased sisters. A meditation on the precarious uncertainty of the American Dream and the role that uncontrollable forces play in our lives, The West is a Land of Infinite Beginnings is inspired by a harrowing scene from the opera Proving Up, by composer Missy Mazzoli and librettist Royce Vavrek.
A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator's sense of glory to a modern western in the style of Takeshi Kitano.
Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.
Cole Porter times three! Al Kemp and His Orchestra swing "Begin the Beguine," Emil Coleman and His Orchestra sell us "Just One of Those Things," and Skinnay Ennis and His Orchestra love some "(Let's Do It) Let's Fall in Love."
A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
A project assembled to musically support William Plomer's (1903-73) book of poems called 'The Butterfly Ball and Grasshoppers Feast'; in which Alan Aldridge had provided the illustrations. British Lion had secured the rights, and commissioned Glover, through Tony Edwards (the Deep Purple manager), to add the musical dimension that it required if it were to be made into a 26-part animated cartoon series, suitable for TV. (Discogs) This is the music video for the song Love Is All, performed by Ronnie James Dio.
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.
Paulette plays in the back yard, in the shade of a tall tree, with her doll, somewhere out in the countryside. Secretly watching other children have fun without her makes her sad. Then suddenly the wooden chair she is sitting on begins to move, and throws her off. She bravely gets on the chair again, which starts to buck like a wild horse, making her very happy. Racing through the countryside, the chair then throws her off, right into the middle of the group of playing children, helping her overcome her shyness.
At Mr. Rad's Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers — and their moves — two warring friends have to pull together to represent the street.
With one coin to make a wish at the piazza fountain, a peasant girl encounters two competing street performers who'd prefer the coin find its way into their tip jars. The little girl, Tippy, is caught in the middle as a musical duel ensues between the one-man-bands.
Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.