The Dinosaur and the Baby

What is a Micro-Budget film? How are they made? Where can you find them? Do they actually make any money? Six micro-budget filmmakers take us through the arduous process of making movies with little-to-no money. They shed light on the physical, financial and moral complexities of this unusual side of Hollywood.

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

The short piece shows what the cast and crew did on the first day of production but mostly just serves as an overview of general movie-making bits.

The short piece includes statements from Forster, Kurylenko, Powell, and Craig. This one focuses on the new Bond girl and her stunt work.

The short piece gives us info from Forster, Craig, Arterton, Almaric, Kurylenko, and Wilson. All involved tell us of Forster's greatness.

The short piece features remarks and footage from Forster, Wilson, Bradley, Evans, Kurylenko and Arterton.

Behind the scenes of shooting in various notoriously difficult locations, including interviews with producers and lead actors.

Biography of a star and figure study : This fascinating portrait is for anyone who wants to know more about the man behind the mask. By the end of the film, you will view this famous French icon in a totally different light. Delon speaks in a series of surprising interviews, spanning nearly 50 years.

Documentary overview of Peter Lorre's ascension to fame as a master purveyor of silky but disquieting peril.

An intimate documentary portrait of the legendary French actor. Directed by Carole Weisweiller and Jean-Christophe Rosé, the film centers on an in-depth conversation filmed in 1995 between Weisweiller and the aging star. Rather than a dry chronological career recap, the film offers a deeply personal retrospective. Marais candidly reflects on his multi-faceted artistic journey—spanning acting, painting, and sculpting. He reflects on his creative partnership and profound romance with director Jean Cocteau, which shaped postwar French cinema with masterpieces like Beauty and the Beast and Orpheus. He also addresses his transition into a swashbuckling box-office icon in popular action films. Blending reflective interviews with archival footage, the film acts as a moving artistic testament, offering a rare, vulnerable window into the life, passions, and enduring legacy of one of France's ultimate icons.

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.

Released in 1796 posthumously, The Nun, a novel that Diderot did not dream of publishing during his lifetime, as he knew it to be revolutionary, caused the same explosion in the 19th century France as in that of the 1960s, when Jacques Rivette decided to adapt it, with Anna Karina in the title role. “This film is banned and it will remain so!” said the General de Gaulle. Exploration of an indictment of incredible modernity which, through the tragedy of the young Suzanne, locked up in the convent against her will, denounces the inequity of a society denying women all moral, political and sexual freedom.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Chico has dedicated his whole life to CINE SAO PAULO. The building, inherited from his father, is now badly deteriorated. Refurbish it, in order to make the old movie theater get back to work, becomes his great obsession.

Gonzalo Suárez: Sam Peckinpah, director salvaje

French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.

Documentary featuring interviews with several of legendary Spanish director Luis Buñuel’s close friends and collaborators.

L'amour ouf : histoire d'un succès fou

Behind the scenes of Roger Corman's Galaxy of Terror.

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.