Judy in a Land Called Oz

Packed with drama, high emotions and cliff-hanger moments, Australia Says Yes is the intimate and personal history of struggle and perseverance that propelled Australia to say Yes to marriage equality. The film shows how a group of determined individuals fought tirelessly against unjust laws that treated LGBTIQ people as second-class citizens, creating a movement that saw them go from criminals to legally equal over the course of five decades.

A film about the cultural evolution of the Sydney beach side suburb of Maroubra and the social struggle faced by it's youth - the notorious surf gang known as the Bra Boys.

Exposing the dark underbelly of modern animal agriculture through drones, hidden & handheld cameras, the feature-length film explores the morality and validity of our dominion over the animal kingdom.

To cool the heat on the asylum debate - the biggest 'hot potato' in Australian politics, we took a hot potato food van around the country in the lead up to the 2013 Federal Election. The mission? To see what Australia really thinks asylum seekers. This is an account of this journey.

Within the world of theatre the rehearsal room is a sacred space -- the private domain where boundaries are pushed, risks taken, mistakes made, vulnerabilities exposed and, at its very best, magic created. It's not a place into which the public is often, if ever, invited. Until now; In The Company of Actors features an ensemble of Australia's finest actors, including Cate Blanchett and Hugo Weaving, as they prepare to perform the Sydney Theatre Company's production of Hedda Gabler, at the prestigious Brooklyn Academy of Music in New York. Opening night is just five weeks away and the pressure is on.

Follows amateur botanist Antonius Moscal's raft journey down the Franklin River (Tasmania, Australia).

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.

A year in the life of troubled Australian graffiti artist Justin Hughes.

Story of Annette Kellerman, the international swimming vaudeville and silent screen star whose life story inspired the MGM classic Million Dollar Mermaid starring Esther Williams, which featured lavish Busby Berkeley scenes.

Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.

The raw, heartfelt and often funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time.

‘Bring Out a Briton’ was a short appeal for Australians to help the Immigration Department in its plan to form and assist a ‘Bring Out a Briton’ Committee in each district. It featured popular Australian actor Chips Rafferty as the spokesman for the campaign. Aimed at the Australian public rather than the prospective immigrants it was designed to allay a perceived anxiety amongst the public about non-British European migration.

The vexed question of how to live an artistic life is illustrated in DISAPPEAR HERE, the story of Australian 90's alternative group Glide and founding songwriter William Arthur - in an atmospheric, texturally rich exploration of thwarted ambition in the independent music scene of 1990's Sydney. This extraordinary artist and the shifting sands of the music industry are revisited by band members as well as Aussie music industry luminaries including Tim Rogers (You Am I), Jamie Hutchings (Bluebottle Kiss), Peter Fenton (Crow) and Jane Gazzo (ABC's Recovery and Triple J). DISAPPEAR HERE is a completely independent production which was directed, shot, edited and written by Ben deHoedt.

The Ripple Effect is a powerful documentary primarily centred around St Kilda legend and proud Noongar Nicky Winmar's generation-defining stand against racism at Victoria Park in 1993.

Follows Mas and Saha, two young Iranian asylum seeker musicians, navigating a frightening new world of immigration detention - where they discover the power of music.

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

This short film involves a dramatic retelling of Australia's actual war against their own national bird, two soldiers fight for their lives to escape a horde of bloodthirsty emus after a surprise attack. Link for movie : https://www.youtube.com/watch?v=dkmflJne_yU

New Zealand hip-hop artist Che Fu and his father Tigi Ness travel to their island homeland Niue for the first time to unravel the shared histories. There they also wow the locals with a performance at the Niue Arts and Cultural Festival.

Victorian Queens takes a deep dive into the weird, wonderful and utterly unique landscape of Melbourne's drag community.