Reflections of Evil

Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.

White people live in white houses, wear white clothes, eat yogurt and drink milk. They raise white sheep and white mice; when snow falls, they arrange a festival.

Routine imprisoned Eva in an automatism that was ingrained in her spirit. Dromomania will perhaps be the expression that best illustrates her condition. She feels absent, and her frivolous glance catalogs each one of the small details of the journey that imprisons her every day. Her apathetic state is interrupted when she crosses an object outside the street and Eva is forced to finally face her demons.

A first feature based on sexual events. An actress undertakes her desire of directing her first movie, without a budget or any production company funding her project. She gathers a group of professional actors and actresses, and proposes a project based on a very particular experience: stepping on their fears through a metaphorical 'leap of faith'. As the project advances, individual conflicts will arise affecting the shoot, making the movie crew wonder whether or not they should go on. Will they take the leap of faith with all its consequences?

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

Plastic Chairs follows Dylan, a recovering addict forced back into a support meeting by his sister after a near-fatal overdose. There, he meets Tom — a man further along the same path, who recognises his own past in Dylan and quietly offers understanding rather than judgment. As stories are shared and silences linger, the film observes the difficult, often invisible act of choosing to stay. Plastic Chairs is an intimate short film about relapse, accountability, and the courage it takes to show up for yourself when it feels impossible. Chloe Webb makes her directorial debut.

Experimental film by Toshio Matsumoto created for the 1970 world's fair, Expo '70 in Osaka. The film was made up of multiple projections onto the inside of the Textile Pavilion, a dome with an interior designed by Yokoo Tadanori, and featured a 57-channel music score by Joji Yuasa.

Here I am. A mind backed up by delusion of previous condition. Free or humiliated? Who is ashamed? Me or you? It is so hard to share one's secret.

Georgie Godwin is the fattest man in Britain. A tourist attraction, thanks to greedy 'agent, cabbie Morris. Devoted neighbour Janice is Georgie's only other regular outside contact until he meets Amy, a pregnant teenager fleeing a violent boyfriend ,whom he takes in as a lodger. Amy tries to help Georgie change his lifestyle, but Morris is more than keen to stop her ruining his tourist attraction.

A taxi driver kicks a homeless woman out of his car. It'll be a long night until he can make amends.

Exploring the duality between friendship and loneliness, this intimate narrative short tells the story of David, a bright young boy struggling with a broken home life, as he tries to reconnect with his childhood best friends as they search for something to do in their small suburban town.

A troubadour is expelled from the city when the queen sees his disfigured face. The palace guards smash his instrument as punishment, but the musician does not lose his determination to continue making music.

A little girl attempts to escape the rigors and misfortunes of the ghetto through the power of her mystical imagination while simultaneously trying to protect the bond with her addict mother.

Homeless man Robert (Bobby) Webb discovers the art of filmmaking, turning pages of his life into a heartfelt reel. Through his journey he finds hope and new meanings in unexpected aspects of his life as he relives them.

Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.

Two young children living illegally in a model apartment outside Boston are left to fend for themselves when their hardworking mother disappears

At the beaches of Aracaju(Brazil), popsicle sellers believe in the myth of a girl dressed in white called Eva Maria.

When a homeless man interrupts the comfortable routine of First Church of Raymond, life will never be the same for the apathetic congregation. Convicted by the vagrant's words, Pastor Henry Maxwell, Rachel Winslow, Virginia Page, Alex Powers, and Jasper Chase are thrust into a journey of discovering what life is like beyond "Christianity as usual." But as they find themselves opposed by family strife, church politics, and scorned lovers, will they be able to keep their commitment, or will they be dragged back into fruitless lives?

​​After getting laid off, young single-mom Beth finds herself living in her car and struggles to hide her homelessness from her estranged brother Ben.

Unemployed and recently dumped, Mitch and his buddy Sam start a revenge-for-hire business to raise the $50,000 that Sam's father needs to get a heart transplant.