S21: The Khmer Rouge Killing Machine

Sarah Jordan, an American living in London in 1984, is married to the son of a wealthy British industrialist. She encounters Nick Callahan, a renegade doctor, whose impassioned plea for help to support his relief efforts in war-torn Africa moves her deeply. As a result, Sarah embarks upon a journey of discovery that leads to danger, heartbreak and romance in the far corners of the world.

At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.

New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.

This short documentary chronicles the culture and arts of Cambodian Americans and the Lowell, MA community through the eyes of Sokhary Chau, the first Cambodian American Mayor in the United States. Chau immigrated to the U.S. at seven years old to escape the Khmer Rouge genocide. Through this unique story that showcases the best of Lowell—immigrant success, assimilation, history, and the development of the arts—we see a man born into a war-torn country who comes to America to be a first-in-the-nation leader.

Angkor et Les Mystères de L'Empire Khmer

Two Dutch lawyers, Michiel Pestman and Victor Koppe, travel to Cambodia in 2011 to defend Nuon Chea in an international tribunal. Nuon Chea, also known as Brother No. 2, was the second man after Pol Pot in the Khmer Rouge regime. He is being charged with mass murder and crimes against humanity. For four years, the documentary follows the lawyers in their attempt to give this man a fair trial, but the UN tribunal is beset by local interests and a government which consists partly of other former members of the Khmer Rouge who would really like all of the blame to rest solely on the defendant. What should've been the crowning achievement in the careers of the lawyers turns out very different.

In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.

Through daily routines in a rural village, an indigenous elder couple recall their strange marriage to their grand-daughter, and sometimes to each other, in the changing rhythm of nature around them.

Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.

Cambodia, once the ancient kingdom of Funan, April 17th, 1975. The entire country falls under the tyranny of Angkar, the communist party of the Khmer Rouge. The cities are abandoned, the population is thrown to the roads and forced to walk towards an uncertain future…

In 1972, during Cambodia's civil war, a sandstone statue was torn from the age-old Koh Ker temple. Measuring 1.58m high and weighing 110 kilos, it depicts a prince and belongs to a collection that retraces the epic of the Mahabharata. The sculpture was first sold at auction in London in 1975, via a strange British art dealer based in Bangkok, and reappeared in 2011 at Sotheby's in New York with a bid of $2.5 million. A sale that was ultimately prohibited. In the meantime, experts from the École française d'Extrême-Orient, an American lawyer commissioned by Phnom Penh and UNESCO mobilized the Heritage Police across the Atlantic to denounce the theft of a cultural asset. In 2013, the work was returned to Cambodia. A captivating investigation into the international mafia of antiquities trafficking.

A powerful feature documentary about child sexploitation, an epidemic happening in every country around the world. Filmed over a four year period, REDLIGHT focuses on the personal stories of young Cambodian victims and two remarkable advocates for change: grass-roots activist Somaly Mam and politician Mu Sochua. Using gritty footage smuggled out of brothels and harrowing testimonials, REDLIGHT follows the plight of several current and former child sex slaves. Some are trying to regain entry into Cambodian society to find some semblance of normality after their horrific experiences. Other stories highlight the plight of victims who are attempting to bring the perpetrators to justice. Their torturous yet ultimately heroic battles to find witnesses and take brothel owners to court are dramatically brought to life in this topical and moving feature documentary.

Over three million Cambodians died in the genocide between 1975 and 1979. The Khmer Rouge’s reign of terror also decimated a homegrown film industry that had flourished since 1960: movie theaters were bombed, film prints were destroyed and artists were executed. In Golden Slumbers, French-Cambodian filmmaker Davy Chou mourns this loss of lives and culture, but balances the somber material with a playfulness that honors the lush melodramas and mythic adventures of the glory years.

Vixna and her two children are lured from the safety of Paris by her husband, a officer in Pol Pot's army, back to Cambodia where they undergo brainwashing and enslavement by the Khmer Rouge.

In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory. She questions whether, "image and memory can occupy the same space." Building on excerpts from letters, found super-8 footage of an unidentified Cambodian man, iconographic photographs from the Vietnam War and other partial images, Baron combines epistolary narrative, memoir, journalism, and official histories to question whether something as monumental as the genocidal slaughter of Cambodians during the Pol Pot regime can be examined effectively with traditional methodologies.

Set in the newly-pacified Phnom Penh, this film is about the return to civilian life of Cambodian soldiers.

On one of his last trips before retirement, a plane of an illegal gunrunner in Vietnam is shot down where he hooks up Annie Belle, a humanitarian rebel.

The temple complex of Banteay Chhmar in Cambodia is half-ruined, but of enchanting beauty. It is the last major temple of the old Khmer empire. The people of the village are rediscovering it: as a place of spiritual inspiration and the center of cultural life. With almost no outside help, the inhabitants of the small village are fighting to preserve and restore the complex.

WHO KILLED CHEA VICHEA? is a highly charged murder mystery, a political thriller, and a documentary like no other. In 2004, Cambodian union president Chea Vichea was assassinated in broad daylight at a newsstand in Phnom Penh. As international pressure mounted, two men were swiftly arrested and convicted of the crime, each sentenced to twenty years in prison. Filmmaker Bradley Cox’s five-year investigation reveals an elaborate cover-up that reaches the highest echelons of Cambodian society. Winner of a 2011 Peabody Award among many other honors and banned by the Cambodian government, WHO KILLED CHEA VICHEA? uncovers the face of dictatorship behind the mask of democracy.

In a tale of drama and adventure, young journalist Andy Cameron (Robert Walker) has to get into Cambodia (it is assumed this is during the genocidal reign of Pol Pot). Cameron has to smuggle out his girlfriend Mieng (Nit Alisa) before she is killed (along with the other two million Cambodians), but he cannot manage this alone. He enlists the aid of an American Vietnam vet and the help of a few Khmer men. Eventually, Cameron makes his way into Cambodia where he encounters many dangers, some human and some inhuman.