The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.
Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.
The Cure bring their magisterial, slow-burn masterpiece Disintegration to the Sydney Opera House Concert Hall for four shows to mark the 30th anniversary of their career-defining epic. This is the world premiere of these 30th anniversary performances, and their only Australian engagement. Setlist: Delirious Night, Fear of Ghosts, No Heart, Esten, 2 Late, Out of Mind, Babble, Plainsong, Pictures of You, Closedown, Lovesong, Last Dance, Lullaby, Fascination Street, Prayers for Rain, The Same Deep Water as You, Disintegration, Homesick, Untitled, Burn, Three Imaginary Boys, Pirate Ship
Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.
Bare, also known as Bare: A Pop Opera, is a coming-of-age rock musical with music by Damon Intrabartolo, lyrics by Jon Hartmere, and a book by Hartmere and Intrabartolo. The story focuses on a group of high school students and their struggles at their private Catholic boarding school.
Die Toten Hosen - 3 Akkorde für ein Halleluja
This documentary portrays the way in which attacks against a twisted concept of “gender ideology” in four countries are being used to gain political power by right-wing conservative politicians supported by conservatives in the Catholic and evangelical churches.
This whimsical Off-Broadway hit musical is aptly reworked and transferred to the screen. The self-descriptively titled Naked Boys Singing is a musical revue of songs that poke fun at gay life, body image, love, loss and yearning.
I'm a Porn Star follows the lives of guys in the neighborhood who are likely a lot more famous than you - at least on the Internet. There are an estimated 370 million pornographic websites on-line. Porn is now a thirteen BILLION dollar business. So who's doing all this moonlighting? Turns out -- probably some people you know.
Around the world there has been a huge increase in the number of children being referred to gender clinics. Increasingly, parents are encouraged to adopt a 'gender affirmative' approach - fully supporting their children's change of identity. But is this approach right?
Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.
Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.
Du Ska Nog Se Att Det Går Över (Don't You Worry, It Will Probably Pass) is a documentary by Cecilia Neant-Falk. When she was 14 years old, in 1986, she posted an add in a youth magazine, explaining that she was bisexual and wished to get in contact with other people in the same situation. In 1999, she posted the same add in the magazine and decided to make a movie about the three people who responded.
A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.
Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album. Jello Biafra's 1979 run for mayor is also highlighted.
Sascha’s name wasn’t always Sascha. But now it is. Sascha doesn’t identify as a man or as a woman, but as trans non-binary. A story about what it means to live in a society that wasn’t expecting you. A glimpse into a life that allows us to question our own categories. And a film about what it means to be oneself.
Early 19th-century England is usually seen through the eyes of Jane Austen and the Brontë sisters. Sue Perkins explores a dramatically different version, as lived and recorded by Anne Lister. A Yorkshire landowner, she kept a detailed, partly coded diary, revealing graphic details of her love affairs with women. Regency England was surprisingly tolerant of Anne's chosen lifestyle, and it was only when Anne sought to sink a coal mine on her land that criticism of her private life became public.
A documentary on the music, performers, attitude and distinctive look that made up punk rock.
Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.
In the indigenous communities around the town of Juchitán, the world is not divided simply into males and females. The local Zapotec people have made room for a third category, which they call “muxes” - men who consider themselves women and live in a socially sanctioned limbo between the two genders.