Engenhos e Usinas

The popular song Chuá Chuá, illustrated with scenes of rural life. Girl observes in window. A fountain drains water. A flower. The cattle grazing. River waters. Man seen from window of wattle and daub house. Girl hangs cage with bird. Man walks towards the gate. Ducks in river drink water. The popular song A Casinha Pequenina, illustrated with scenes from rural life. Hut surrounded by banana trees and a coconut tree. Children walk hand in hand, sit on the riverbank. Birds in cages. Again the little house and the vegetation that surrounds it, especially the coconut tree.

A cowboy uses songs to tame and gather his animals.

Musical rhytyms inspired by work activities.

A morning in the farm shown with a beautiful musical background.

A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is always predating another being, but is in its turn predated by some other animal, until the circle closes. It begins like this: an old woman is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...

A cinematographic interpretation of a Casimiro de Abreu poem.

A visual interpretation of Brazilian popular songs "Azulão" and "Pinhal".

The British ITV channel specially broadcasts Tom Daley's latest documentary, looking back on Daley's training and life in the four years since the last Olympic Games. This is also the first time he and his fiance and Oscar winner Dustin Lance Black have framed a documentary. The two looked back on the process of meeting and falling in love, the ins and outs of Daly's difficult decision to come out, and how he returned to the platform now is all the credit of Lance. The engagement of the two was blessed by the family and the whole team, and all kinds of loving interactions were sweet and touching. And Daley's latest jumping method "Fireworks", which incorporates traditional Russian acrobatics, also appeared in the documentary. Hope to see this different firework at the 2016 Rio Olympics.

A documentary that restores to the world, five hundred years after his death, the universal and sensitive genius of one of the greatest artists of the Italian Renaissance: Raphael Sanzio. Guided by the art historian Luca Tomìo, we decided to start our journey from the Renaissance atmosphere of Raphael’s birthplace, the Duchy of Urbino, to retrace, from the very beginning, Raphael's artistic education. From a young age, he found himself confronted with giants of the Renaissance art such as Piero della Francesca and Antonio del Pollaiolo, in the workshop of his father Giovanni Santi, also an excellent painter of the Urbino court.

"Stone-White Man" is an epic documentary in compact form which tells the life story of Viennese artist Richard Erdoes. Erdoes has chronicled the lives and resistance of Native Americans in the United States since the 1950s.

Their ethnic roots are different and they are neither blond nor thin; this a cappella ensemble is their own creation. Three powerfully voiced singers and their pianist tour Austria and Germany, performing a program of soul and gospel. Trendy cafés and village church, everyday life as a musician and survival away from the international charts.

With over 23 years in the business, Bruce Joel Rubin has done it all. From his Oscar-winning screenplay for the romantic-comedy-drama Ghost, to the psychological thriller Jacob's Ladder, the family-friendly adventure Stuart Little 2, and the tearjerker My Life, which he also directed. In this in-depth interview, Rubin delivers some insightful stuff: his carpet-laying theory about writing, the story behind the Jacob's Ladder gut-wrenching opening scene, and which of his screenplays came about thanks to a burrito that didn't digest well.

While undergoing treatment himself, comedian Rhod Gilbert goes on a frank, revealing, and frequently funny journey into the world of male infertility. Rhod also meets a man whose wife had eight years of treatment before they discovered that he was the one with the fertility issues.

David Seltzer knows Hollywood. He knows the business, the tricks of the trade and all the hidden truths. He's got the stories from working with Jacques Cousteau, penning the horror classic The Omen and adapting Roald Dahl's Willy Wonka and the Chocolate Factory. He can tell you why writing is like love-making and why there is no such thing as fiction. His advice about directing? Wear comfortable shoes. In this interview, you'll learn that and more, including what recent screenplay is the most elegant he has ever heard spoken on-screen and why you don't win arguments with movie stars.

Simon Kinberg recently burst onto the scene with his script for XXX: State of the Union, and has since worked on comic-to-film adaptations for Elektra and Fantastic Four and penned the third film in the X-Men series, X-Men: The Last Stand. Kinberg's breakthrough hit, Mr. and Mrs. Smith, began as a script that he wrote in college and became one of the top grossing movies of 2005.

The "Mutoid Waste Company" is a group of English travellers who have created an alternative lifestyle for themselves as modern nomads. This film portrays their performance in Vienna.

Susannah Grant received an Oscar nomination for her screenplay for Erin Brockovich, an inspirational story based on the life of a working-class heroine. After her nomination, she went on to adapt In Her Shoes and Charlotte's Web, as well as write and direct Catch and Release. Here, Grant goes into the midwife vs. mother role of novel adaptations, the importance of finding your voice and why sometimes you just have to be able to really, really suck.

Poised to become one of the most successful screenwriting teams in Hollywood, Alex Kurtzman and Roberto Orci are certainly in striking position. A team who became just that after meeting in high school, they have frequently collaborated with writer-director J.J. Abrams and director Michael Bay. As a team their screenwriting credits include The Island, The Legend of Zorro, Mission: Impossible III and the upcoming Star Trek XI.

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NIA VARDALOS was nominated for the Academy Award® and the Writers Guild Award in 2003 for her breakthrough screenplay My Big Fat Greek Wedding, which was based on her one-woman play. The film became the highest-grossing independent feature and turned her in to an overnight success, spawning a follow-up sitcom and a cemented spot among Hollywood s elite writers. Listen as she talks candidly about her favorite laugh, tapping into her inner guy, and why her take on the hardest part of screenwriting just might make you blush.