Des Lebens Würfelspiel

The Indian's Gift

Baby Bubbles torments her babysitting grandmother (Sunshine Hart) while her parents enjoy a rare night out at the movies.

Third release in 'The Smith Family' series of 2-reel comedies. Omar the dog, usually the most sedate member of the Smith family, has a starring role in this episode, digging up the garden and stealing the landlord's hat.

Rural comedy of the intrigues and stratagems involving a country wedding. From a comedy by Alexis Kivi.

A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: THE BELL BOY (1918), THE BUTCHER BOY (1917), OUT WEST (1918), MOONSHINE (1918), and THE HAYSEED (1919). Volume One of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.

A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: BACK STAGE (1919), GOOD NIGHT, NURSE! (1918), CONEY ISLAND (1918), THE ROUGH HOUSE (1918), and THE GARAGE (1920). Volume Two of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.

‘Departure of Love’ was inspired by the silent film comedy of Buster Keaton and the 1920s.

There is a boat race going on.

After many years as a vagabond, Ronald comes home to his family who are about to be evicted from their home. He saves their home and, while chasing a runaway pancake, saves a kidnapped girl as well.

A nice short from the early Karl Valentin.

She creates time lapses, he is into slow motion. Is it possible to meet in time?

Withstanding misery, a young man who seemed to live like an ordinary person suffers and tries to seek help from the closest person named friend.

In this Christmas season release, Max assembles a toy train track while Ko-Ko the Clown visits a cartoon toyland, playing cops and robbers and rescuing a doll in distress.

This touching short film lasts only 10 minutes, 34 seconds, but is rather engaging. Charles Kent is an old man, who has spent all he owns on influencing a government appointment. His faithful black servant, Amber (Hal Wilson), cares for him as he waits to hear from the Capitol. No one there intends to do anything but make fun of him, even sending a false appointment, to his shame.

Joe Ryan, a veteran train engineer, is demoted to a flagman position after a disastrous crash-- one caused by his cowardly and opportunistic partner. Though Ryan's failing eyesight is named as the cause of the crash, he's undeterred as he designs an automatic braking invention.

In this film, Nauman bounces his testicles with one hand. Shot in extreme close-up, the work is perhaps an ironic reference to an earlier film Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms, in which he bounced rubber balls. Along with Black Balls, Gauze, and Pulling Mouth, Bouncing Balls is one of Nauman's "Slo-Mo" films which are shot with an industrial high speed camera.

Max and his wife each blame the other for a nagging tongue. Max offers to bet his wife fifty pounds, even money both ways, that she will be the first to speak or make a sign after the acceptance of the bet. His wife accepts the wager, and the two young people allow their flat to be burgled rather than move or murmur. Max sits out the ordeal in agony, up to the time the burglar attempts to kiss his wife. Then, with a yell, he rises to punch the burglar's head. There is joy in the punch, but less in the drawing of the check.

Max is in love with a charming girl, who also is already affianced to another. Does Max despair? Never. The debonair gentleman sets his wits to work to frustrate his rival's little game, and though he meets with several rebuffs in the end he is successful. Even then the rival, on the eve of his wedding, tries to turn the tables on Max, and very nearly succeeds, but with the little lady's help Max finally wins. The story is full of quaint and whimsical humour, which culminates in some exceedingly funny scenes before a mirror, in which Max sees strange visions.

A typical Pollard-Morrison outing is Rush Orders (1921), in which the pair ride into town on a railroad handcar (with Morrison providing the locomotive muscle). When there it's all about the hustle for food with rivals and advertisement in the café business..

A couple of kids lay their hands on a pot of very strong glue and proceed to wreak havoc.