Igyō no koi

While on his journey through the countryside of Japan, Shingo encounters many people whose lives have been affected by his actions. Though the many duels he fought were intended to bring justice to those who sought to do evil, he is faced with the knowledge that his victories have also caused suffering amont the family members of his victims-leading him to question his life's philosophy. This superb film is the final chapter in this part of Shingo's story. A fitting tribute to his quest to be the supreme swordsman.

37 year old sales manager Iwatsu is so caught up in work, he's unable to truly live his life. One night while looking at his graduation album on his phone, he receives a sudden call from a girl named Kana. He's taken to his hometown Kobe, where he lived as a teenager. Slowly, by way of Kana, Iwatsu's past is resuscitated.

2 days until the “Last Graduation Ceremony” of high school, the building was to be demolished. Each student accepted their “farewell to youth” and moved forward with regret and hope in mind. One student visits the library to meet her secret admirer who is also her teacher, one calls her boyfriend with a strained relationship due to the distance of their colleges, one is trying to expose a secret that she hid for the last 3 years, and the last student, Manami, has to give a speech during the graduation ceremony but couldn’t overcome her pain.

Four people recount different versions of the story of a man's murder and the rape of his wife.

Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.

Kii, a young woman who isn't good at studying or sports, finds her passion in life through amateur photography. While trying to take a good shot one afternoon, she meets fledgling singer Yuu by chance and together they move towards the light of accomplishing their dreams.

Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.

At first, there was Tagalog, Gym Lumbera’s short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”

"Mapang-akit" is an offshoot of a documentary project made with an Icelandic filmmaker and uses the outtakes from the Hudas Hudas festival in Antique, where a community bonds over a large effigy of Judas Iscariot during Holy Week. Amidst it is a found story of a man who returns home to his death after pursuing a woman in a neighboring village.

Hawaiian Love: Dangerous Honeymoon

A cloudy riverbank. Kazuko, a one-piece woman with a floral pattern, stands under the viaduct. She was abandoned here when she was young and raised by a homeless man who lives there. Yoshio offers an engagement ring to his girlfriend Sachiko, but he gets confused. As he was frustrated and walking along the night road, Kazuko, who was standing under the guard and selling his body, called out and headed for a love hotel with her. Kazuko accepts rough acts as they are. After the fact, Yoshio opened the ring case in front of Kazuko and showed it. She couldn't help feeling destined because she never thought that such a day would come. A few days later, Yoshio also visited the riverside village, and Kazuko said goodbye to the homeless man. Kazuko was greeted by Yoshio's parents, Takeshi and Yoko, with joy and tension in her heart. Even though she knew her poor upbringing, her parents kindly accepted her because she wouldn't hide it from her family.

A feature length autobiographical film showcasing the life story of Melody Contreras-Williams, famed Lyric Video Creator, Artist, and DJ.

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

Young girl Saori, a cook at a diner, loves cooking. There is a regular customer Kujo, a guy who has never touched the plate of her cooking. Saori decides to give him a bag of sandwiches for him to eat at home, but later she finds that he gave it to a Buddhist monk on a street. She does not know that Kujo only eats what he cooked himself. A tragicomedy of 4 couples suffering about eating.

Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Ai's mother sends her to live with a cult commune, where she remains for seven years. After the cult is broken up by the police, Ai struggles to fit in with society.