Raakh

The film wryly expresses the changes in hierarchy, caste and the power equation when water, the most important resource, vanishes and how the oppressed become the oppressors.

Trapped between her cowardly husband and regular harassment by a local authority, Laila, a nomadic shepherdess, decides to break out of her old identity and chart a new path.

A tale of near Biblical proportions, telling the story of Dayavan, a heroic do-gooder who dedicates his life to helping those less fortunate then himself.

R.K. Raju, a private investigator is assigned the task of locating the missing daughter of a wealthy Hindu couple. His investigation take him to different locales, and he comes across Miss Mary, the girl closely resembling the one he is looking for.

Jaipur-based Durga has been blind as far as she can remember, and helps her dad make clay statues of Hindu Gods and Goddesses. When her dad passes away, she and her mom continue making clay statues to make a living. Then one day Durga is involved in an accident and is rescued by a young man named Babu. Both of them fall in love with each and want to get married. But before that could happen, Dubai returned Rana, another man who wants to marry Durga, kills her mom and then Babu himself. A devastated Durga undergoes eye surgery through Swiss-based Dr. R.K. Prasad and regains her sight. Dr. Prasad takes her with him to live in Switzerland and this is where multi-millionaire Raj enters her life and wants to marry her.

A wealthy NRI falls hard for a country girl during a visit to his homeland.

There is a woman who gets married, her husband buys a scooter on the same day, and later, he abandons both. The story is woven around the parallel lives of the scooter and the woman, who go through the same situation.

Maharaj Singh is a proud owner of several derby-winning stallions, and lives in a palatial farmhouse with his wife, Rukmini and young son, Chimpoo. One day dacoits attack his farmhouse with a view of stealing the stallions.

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

Jennie, the atheist foreign wife of Akbar, son of pious and honest institutional head, finds life in her in-laws house stifling and agrees to participate in a dance program much against their protestations. A paralytic stroke makes her turn towards reading the Koran, which miraculously cures her of her ailment. She decides to devote the rest of her life in prayers.

A time machine sends Motu and Patlu back to the dinosaur period, but the real trouble starts when the reptiles travel back to the present day with them!

An unexpected betrayal transforms a meek college professor into a cold-blooded gangster who wants to marry a woman against her wishes.

Stuck all night on a yacht with a damsel in distress, Gopal lies to his soap opera junkie wife to avoid drama. This sets off a chain of chaotic events that ultimately land him smack dab in the middle of a police case.

Four pairs who meet accidentally in a Mumbai bar called Mumbai Salsa and get hooked on each other for life. The film captures the urban qualities of life and love.

MAYA is a coming of age story set against an outlawed brutal practice of ritual rape still occurring in some parts of India.

Honest police officer Surajbhan would like Rajeshwar Nath to provide all the material documents that can prove Raiszada Narsingh is a hardcore criminal. When Raiszada learns of this through his henchman Hansukh he kills Surajbhan and frames Rajeshwar Nath for this killing. Years later Surajbhan's son Ajit grows up with Raiszada and is willing to locate Rajeshwar Nath who now calls himself Girija Shankar so that he can avenge the murder of his dad.

In the more or less lawless Chambal Valley in 1975, a gang of bandits led by Maan Singh are up to mischief. The lawless men, who call themselves Bhaagis (rebels), live by robbery and attack the villages in the area. Since they have previously committed a more than shameful crime, they are hunted mercilessly by the police. When Maan Singh learns about a treasure of gold that is about to change hands at a wedding reception, the target of their next heist is clear. They have no idea that it is an ambush of the police. Some of the gang members barely manage to escape and flee into the inhospitably barren surrounding area. While a dispute arises about how to proceed, they meet a woman from the lowest caste who is being hunted by a family clan. In their care there is a girl who was raped and seriously injured by the leader of that clan. The bandits see the opportunity to atone for their shameful crime.

A love triangle, the film is a remake of the Telugu blockbuster movie Dasara Bullodu (1971), made by the same company and director. Mohan Lal Srivatsav loves Gauri and so does Shyama. The rivals in love are close friends, their friendship proves to be stronger than their love. When Gauri learns that Shyama loves Mohan, she decides to sacrifice her love, her dream, her life for her friend's happiness.

Based on life of Patna-based mathematician Anand Kumar who runs the famed Super 30 program for financially weak IIT aspirants in Patna.

Sandeep, a bank executive & Pinky, a suspended cop, are marked for a kill. Phones tapped, accounts blocked, they escape but escaping is not freedom.