You Don't Nomi

This ultra-kitsch documentary goes behind the scenes at Murray's Cabaret Club, where Christine Keeler was later a showgirl.

A look at the production and enduring popularity of a modern trash classic from those bad boys behind 1992's Basic Instinct, the infamous screenwriter Joe Eszterhas and the envelope pushing director Paul Verhoeven. In 1995, their next film collaboration, Showgirls, was unleashed upon the world.

Tito Lombardi a Fifth Avenue dress designer, causes his business to suffer by his generous dispensation of credit to clients, one of whom, Max Strohm, the manager of a musical review, has promised payment for his girls' lavish costumes as soon as the show makes money. To the dismay of Norah Blake, Lombardi's faithful assistant, who loves him, Lombardi proposes to Phyllis Manning, one of the showgirls, and presents her with his finest creations, while not even attempting to kiss her, as she puts off setting a wedding date and also accepts the attentions of wealthy bachelor Bob Tarrant.

Just as Nevada wins $7000 in yellowback bills, Ben Ide takes his $7000 and heads out to buy mining equipment. Burridge has his man Powell kill Ide and retrieve the money and Nevada finds Ide just as the posse arrives. Found with the money Nevada is arrested and Burridge now gets Powell to incite the local citizens to lynch Nevada.

Fresh to Las Vegas with no connections, Nomi Malone takes a job as an exotic dancer. Her talents are quickly noticed by Cristal, a headlining dancer who senses an opportunity to bolster her own act. But Nomi won’t play second fiddle and soon begins her venomous path to the top, ruthlessly backstabbing anyone who gets in her way.

The film is about a group of Las Vegas sexy showgirls who are undercover agents working with a former C.I.A. agent to stop a terrorist attack.

Five closely knit showgirls sign a pact to reunite one year after the closing of their Broadway production, but the lives of all five take many different turns, often for the worse.

In the Brazilian thriller Níobe, Rita (Barbara França) and a group of six other luxury call girls are hired by an important businessman to entertain the guests of an important business meeting for one night. The purpose of the meeting - which includes the presence of a president of the republic and its main general - is to bribe an opposition deputy to obtain approval for mineral exploration in indigenous territory. However, the plan does not go as expected and, after all, the future of the country may be in the hands of the seven call girls.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Megacities is a documentary about the slums of five different metropolitan cities.

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

This film chronicles the health and social problems that African albinos face and details the fight waged on their behalf by advocacy groups in Spain.

A renowned old hotel near Nagoya Station has been in the red for four consecutive fiscal terms. When the old management stepped down, Akio Shibata, who has long been in the board of the labor union, is appointed its new general manager. Shibata's method for reviving the hotel consists of neither the laying off of the staff nor the introduction of performance-based system. He wants everyone to take part in the making of new management plans and for all employees to lodge together and engage in heated discussions about their management dreams all night. Yes, his management ideal is to "have the happiest employees in Japan" working in their hotel. He throws birthday parties for employees and has company cafeteria remodeled. All these changes bring about yet another change in the mind of everyone.

A new documentary on the Criterion Collection edition of Roman Polanski's 1971 adaptation of Macbeth featuring interviews with the director, producer Andrew Braunsberg, assistant executive producer Victor Lownes, and actors Francesca Annis and Martin Shaw.

An encounter between Russian and American volleyball teams, presented more as an essay in the choreography of the players' movements than as a play-by-play report of a sports event. Various camera tricks are used to dramatize the action, notably stop-motion, that freezes the ballet-like leaps and postures of the players. The film has jazz background music. -NFB

Showmen riding cinema lorries have brought the wonder of the movies to faraway villages in India once every year. Seven decades on, as their cinema projectors crumble and film reels become scarce, their patrons are lured by slick digital technology. A benevolent showman, a shrewd exhibitor and a maverick projector mechanic bear a beautiful burden - to keep the last traveling cinemas of the world running. A critically acclaimed, poignant documentary that celebrates India’s travelling picture shows and laments their demise, filled with exquisite visuals and marvellous eccentrics.