Jay's Longhorn

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

Ricky Espinosa: The Documentary is a self-managed and independent project created by Juan Pablo Duarte in Buenos Aires, Argentina. It explores the life of Ricky Espinosa as an artist—his beginnings, his career, and his discography—featuring previously unreleased archival material and exclusive interviews.

Following the release of Bérurier Noir's album "Concerto pour détraqués" on the Bondage label in 1985, the French punk scene began to organize itself and attract media attention. Following Bondage's example, François Hadji Lazaro founded the Boucherie Production label. The departure of bands to major companies, Bérurier Noir's lawsuit against its label Bondage, and above all the breakup of the band marked the end of an era.

O Fim do Mundo, Enfim

Documentary about the Argentine punk and hardcore scene, from the early 80s to the mid-2000s. It includes interviews with various people in the environment, both musicians, producers and journalists, as well as archive material.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

Considered one of the most cerebral punk rock bands around, Bad Religion puts on a unique live show that has them blasting through song after song in record time. This documentary, compiling footage from 14 different concerts, captures the raw power and frenzy of the band as they toured Europe in 1989 to promote their third album, "Suffer." The 26 featured songs include "Do What You Want," "Land of Competition," "Best for You" and more.

Washington, D.C.'s Government Issue perform live in this two-concert DVD. Filmed during a 1985 tour of California, both shows highlight songs from the albums "Joy Ride" and "The Fun Just Never Ends." Lead singer John Stabb belts out tunes including "Puppet on a String," "4-Wall Hermit," "World Caved In," "Hear the Scream," "Blending In" and "Mad at Myself," igniting audiences at both venues into full-blown Punk Rock frenzy.

Cleveland's Screaming is a documentary movie about the Akron and Cleveland, Ohio hardcore punk scene of the early 1980s. Documentaries about punk rock always focus on what was happening in London, New York or L.A. But Brad Warner and his friends didn't live in "happening" places like that. Like thousands of other kids all over the country in those days, they made their own scene in their own town out of nothing.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

From London's 1970 mod scene to Sonic Youth, punk music has always been about attitude and anarchy. This comprehensive rockumentary traces the roots of punk, from The Velvet Underground and the New York Dolls to the Sex Pistols and The Clash.

Documentation of the legendary all ages hardcore punk show held at a Jack Astor's Sports Bar & Grill during operating business hours in St. John's, Newfoundland. Featuring performances from local hardcore heavyweights Carnage, GlitterGlue, Buck 50'd, and the debut performance of Life Jolt.

Turn It Around: The Story of East Bay Punk spans over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of the inspiring 924 Gilman Street collective. This diverse group of artists, writers, organizers and musicians created a do-it-yourself petri dish that changed the punk scene... and the world at large.

The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.

The chronicles of punk rockers from three different countries (Canada, Brazil and Indonesia) and how their music ressonates with each other. By a series of musical and ideological exchanges, the film provides insight on the youth culture in each of the very different locales.

Saturday Night at the Capitol An incendiary show from 1982 at the Capitol Theatre, Sydney, shot for the band by award-winning filmmaker Dave Bradbury on 27 November 1982 for ABC radio station Triple J. Track listing "Only The Strong" "Brave Faces" "Short Memory" "Knife's Edge" "Power and the Passion" "Armistice Day" "No Time For Games" "Quinella Holiday" "Lucky Country" "Don't Wanna Be the One" "Burnie" "Powderworks"

Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.

Career-spanning retrospective of Siouxsie & The Banshees' video output

American Failure takes an in-depth look at the music scene in Boone, North Carolina, focusing on local bands Babe Haven, Galloway, Kiss it Make it Better, Educated Guess, Solastagia, and Cigarettes @ Sunset. Through a mix of full-band and individual interviews, live performances at local venues, and behind-the-scenes footage, we follow these bands as they navigate Boone’s DIY music culture before and after the COVID-19 pandemic.