Our Warrior: The Story of Robbie Thorpe

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

takayna / Tarkine in northwestern Tasmania is home to one of the last undisturbed tracts of Gondwanan rainforest in the world, and one of the highest concentrations of Aboriginal archaeology in the hemisphere. Yet this place, which remains largely as it was when dinosaurs roamed the planet, is currently at the mercy of destructive extraction industries, including logging and mining. Weaving together the conflicting narratives of activists, locals and Aboriginal communities, and told through the experiences of a trail running doctor and a relentless environmentalist, this documentary, presented by Patagonia Films, unpacks the complexities of modern conservation and challenges us to consider the importance of our last truly wild places.

The epic David vs Goliath battle for justice waged by the families of three Aboriginal children murdered in a small rural town 30 years ago, the system that failed them, and what it reveals about racism in Australia today.

In 1984, Midnight Oil released their iconic record Red Sails in the Sunset. They embarked on a relentless tour around the nation performing raw and electrifying music that reignited the imagination of young Australians. That same year, their lead singer Peter Garrett committed to run for a Senate seat for the Nuclear Disarmament Party. With the mounting pressure of balancing the demands of music and politics this is the year that would make, but nearly break, Australia's most important rock and roll band. Thirty years in the making and featuring never seen before seen footage of the band on and off the stage, Midnight Oil: 1984 is the untold story of the year Australia’s most iconic rock band inspired the nation to believe in the power of music to change the world.

At Western Australia’s first Indigenous-run police station, two officers learn language and culture to help them police one of the most remote beats in the world.

Carrie Davis was part of the child removal system near the end of the Sixties Scoop. With guidance from her uncle Emmett Sack and the community, Carrie reconnects to their land, language, and culture.

A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.

Director Clint Alberta takes us on a hilarious and bittersweet journey into the hearts and minds of some very ordinary, extraordinary young Canadians. Clint, taking on the role of Clint Star, seeks out his far-flung buddies, young Natives like himself. They talk about sex and life... love and abuse... 500 years of oppression--with humour, grace and courage. Deep Inside Clint Star explores issues of identity, sexuality and intimacy, while retaining the creative and playful style of a director who is not afraid of turning the camera on himself. This engaging documentary will draw you out of yourself and deep inside Clint Star.

This short documentary presents the empowering story of Rodney "Geeyo" Poucette's struggle against prejudice in the Indigenous community as a two-spirited person.

In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.

On June 21 2007, the Howard Federal Government launched an intervention into Aboriginal communities in the Northern Territory. It was one of the most dramatic policy shifts in the history of Aboriginal affairs. Relentless media attention focuses on ideological arguments for and against the Intervention, while the voices of those affected by the policy are rarely heard. For this film more than 40 Alice Springs town camp residents were interviewed in depth over the course of eight months to find out the answer to the question - is it working?

A feature documentary about opera singer Tiriki Onus who finds a 70-year-old silent film believed to be made by his grandfather, Aboriginal leader and filmmaker Bill Onus. As Tiriki travels across the continent and pieces together clues to the film’s origins, he discovers more about Bill, his fight for Aboriginal rights and the price he paid for speaking out.

Young Aboriginal people who are traditional custodians in Victoria explore the Treaty process with questions, concerns and their opinions. Sharing their insights into what has been happening and what needs to happen.

The story of 95-year-old Aboriginal elder Laurie Baymarrwangga and her work to maintain the language and cultural traditions of the Yan-nhangu people of Murrungga.

Australian writer Wongar lives a secluded life taking care of his 6 dingoes for which he believes embody the spirits of his tragically lost Aboriginal family.

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

Healing the Nation follows community members of the Toronto-based Aboriginal Healing Program as they rediscover their culture to heal from unresolved trauma. This empowering documentary dares us to think beyond mainstream medicine and embrace Indigenous ways for overcoming mental health and addiction issues.

The story of a nation coming together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth. 20 years on, Freeman sheds light on one of Australia's proudest moments. In 49.11 seconds, Cathy Freeman's win at the 2000 Sydney Olympics brought Australia together as a nation.

A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.

A look at the recent trend for collecting aboriginal art and the issues surrounding it.