With no choice, César faced leaving his family behind, quitting his job and joining the Army. In an unprecedented chain of events he became the first conscientious objector in Galicia (Spain) to be put in prison. Now, nearly thirty years later, Two Years, Four Months, A Day takes a look at what made him do it.
13 years ago, director Bob Entrop made the film A piece of blue in the sky, the first film in the Netherlands that depicted the murder of almost 1 million Sinti and Roma during the Second World War. There is a taboo on what happened during the war, you don't talk about it with anyone and certainly not in front of a camera. Requiem for Auschwitz is a sequel, with the most valuable moments from the first film, supplemented with the grandchildren and the creation and performance of the 'Requiem for Auschwitz' by Sinti composer Roger Moreno Rathgeb by the Sinti and Roma Philharmonic from Frankfurt and a Jewish choir in the Berliner Dom in Berlin, during Holocaust Memorial Day. During his visit to Auschwitz in 2020 with four musicians from the Dutch Accompaniment Orchestra, Roger shows them the places that inspired him.
Witness never-before-seen footage of the Warren Miller film crew and athletes as they take on the world's most exotic mountains, treacherous terrain and red-hot ski resorts. Listen as they share their untold stories acres-ski. The only way to get closer to the action is to be on skis.
Additional materials for "Major Grom: Plague Doctor" (2021).
The Irreversible Odyssey is a retrospective documentary featuring interviews with Gaspar Noé, actors Monica Bellucci, Vincent Cassel and Albert Dupontel.
Orson Welles pitches to potential investors his vision of a largely improvised bullfighter movie about an existential, James Dean type troubadour who sets himself apart from other matadors. In front of an audience of wealthy arts patrons, Welles pontificates on the state of cinema, the filmmaking process, and the art of bullfighting.
A documentary about the making of Joe Cash's last directorial feature film Carnal Redemption, showcasing the behind the scenes, the preproduction hell of the film and the mayhem which goes into a Joe Cash film.
John Cazale was in only five films – The Godfather, The Conversation, The Godfather: Part II, Dog Day Afternoon and The Deer Hunter – each was nominated for Best Picture. Yet today most people don't even know his name. I KNEW IT WAS YOU is a fresh tour through movies that defined a generation.
Winner of the DOC NYC Audience Award, Director Nick Canfield’s first film follows gospel-rock icon and activist Reverend Vince Anderson. After entering seminary, Vince dropped out to follow his second calling - music. With his band The Love Choir, he has played a now-legendary weekly show for over twenty years. Reconnecting with his faith and using his intense soulful music, he began to preach a type of spirituality that is open to all, meets people where they are, and moves everyone that sees him play. Reverend Vince is also deeply involved in social justice, working with other faith leaders around the country to build inclusive communities. Featuring Questlove and an ensemble of eccentric musicians, The Reverend is a rocking concert film as well as an intimate portrait of Reverend Vince’s inspiring personal and spiritual life.
An intimate look into the life of icon Quincy Jones. A unique force in music and popular culture for 70 years, Jones has transcended racial and cultural boundaries; his story is inextricably woven into the fabric of America. Jones came to prominence in the 1950s as a jazz arranger and conductor before working on pop music and film scores. He moved easily between musical genres, producing major pop hits of the early 1960s and serving as an arranger and conductor for several collaborations in the same time period.
Behind the scenes of Chabat's take on Asterix.
Björn Frantzén - jakten på stjärnor
Attila Baukó, aka Azahriah is one of Hungary's most famous singer, who filled the biggest sport arena of the country with three consecutive concerts. But this film is not a concert film. It is not a music documentary. Nor is it a traditional portrait film. We are Azahriah is the story of a real and an imaginary journey inspired by Azahriah's life and songs.
Libor Podmol – Život je cíl
Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.
This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.
Chinese film school students and the professors from the Greater China Region gathered together at Hong Kong Baptist University to discuss the many serious film issues in the region.
Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.
Performances from TIDAL's annual benefit concert in Brooklyn. DVD. Jennifer Lopez TIDAL Barclays Center Brooklyn, NY, USA 2017-10-17 Setlist: 01 - I'm Real 02 - Feelin' So Good 03 - Play 04 - Jenny From the Block 05 - All I Have 06 - On the Floor Live on Stage 2007-2015 07 - Do it well - Good Morning America 2007...
In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.