Laabam

Maayandi, the only farmer in a village that has abandoned farming, is charged with a petty case that leads to his imprisonment.

Vellai is a farmer from an economically self-sufficient village. But when he and the villagers take a bank's crop loan, they get caught in debt due to drought and low prices for crops. So few desperate farmers migrate to the city in search of a job. Can they pay off their debt? Or will they give up farming?

Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

Faced with a series of terrible incidents, the Dela Cruz family now has to make a decision that will alter the history of their family.

Here is a film that is, to say the least, singular. A fiction filmed under Giscard, in two farming families, one in Brittany and the other in Languedoc. One sees the Catholic mass and the mass of the television news, one hears the Benedicite and the Internationale, a rural class struggle is played out, daily peasants against the aristos in the middle of a hunt...Chronicle of the Sad Years tells the story of the new forms of subjection suffered by the workers of the land, discovering the perverse effects of the CAP and the growing influence of agribusiness. A film in which the director, Alain Aubert-Dechartre, stages a historical turning point, the forced conversion of peasants into technicians of farms of which they will be the first to be exploited

A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.

Ever since it was revealed that the chocolate industry is involved with child slavery in the Ivory Coast, the industry has been busy – due to consumer demands – explaining what exactly it does to actively fight trafficking and child labour. But does the industry live up to its own promises?In this investigative film, director Miki Mistrati tries to find out, if the chocolate industry – which is one of the largest corporations in the world – speak the truth, when they say that they provide education, medical care etc for the children of the Ivory Coast. But the project runs into trouble already from the get-go, because the embassy of the Ivory Coast won’t let Miki enter the country until he has an invitation – from the chocolate industry.

1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.

A boy migrates from Guerrero to Colima in Mexico, guided by the illusion of his parents, who want him to study high school. Nevertheless, the inequality barriers force him to work as a sugarcane harvester.

The documentary follows the trail of fruit and vegetables from the shopping cart back to various cultivation areas throughout Europe. The entire supply chain is revealed via a system that includes the inhumane exploitation of harvest workers and agricultural businesses. The aggressive pricing policy of the supermarket groups, their "lowest price promise", has established a modern form of slavery in Europe.

Cows With No Name is almost a diary, filmed one day at a time, of each stage of this process, documenting the operation of the farm with critical and incisive humour. But it is also an intimate documentary. By filming scenes of daily life on the family farm, around the kitchen table during meals, or in front of the TV in the evening while everyone falls asleep on the sofa, more personal questions are raised: the farmer’s connection to his herd, or even the handover that Hubert has chosen not to ensure.

Tu nourriras le monde

The film is about married couples of urban India having extramarital relations and adultery. Based on Gulzar's own story "Seema", the film portrays the relationship between a theatre director, Sudhir, who neglects everything but his work and is struggling to establish his theatre group. His wife Seema is also the leading lady in the theatre group but is left alone as Sudhir is involved in his work. Things take a turn when Sudhir's friend TK turns up and woos Seema

The story takes place in the near future when everyone in this world of Capital is barcoded, in order to access all personal information. A prisoner of the Capital, Wuyi Wong escapes to the Public Housing, an anarchal free land. Yet he is jailed again here, considered suspicious as a Capital spy. He struggles to prove his innocence in order to remain in the Public Housing, whereas eventually he discovers that the Public Housing is just the Capital in another shape.

Ibrahim (Salah al-Saadani) abandons his wife Fawzia (Najla Fathi) and leaves the town and settles in Cairo, where he married Hassania (Aida Riad), Fawzia and Ibrahim deny his knowledge of her and claims that the detective is crazy and exploits that she has no proof of her identity. She also comes with a pair of false papers calling for her child. Fawzia collapses and becomes depressed. They enter the mental hospital. Farida (Yusra) sympathizes with her and tries to help her in every way.

The lone survivor of an ambush is being haunted by the war he survived.

Gay teenager Girly looks for a job in a world he is unaware of.