Here's a Piano I Prepared Earlier

Portrait of the popular Dutch singer André Hazes.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

A look back at the girl-group craze of the 60's through archival footage and interviews with those involved.

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.

“Dub Echoes” is a documentary that traces the origins of the Jamaican dub music and it’s influence on the development of hip hop and electronic music.The film shows how the Jamaican invention called dub ended up influencing much of the music we hear today, from electronic music to hip-hop, transforming the studio in a musical instrument and giving way to all of sonic experiments.

The Russian painter Wassily Kandinsky claimed, or has been credited with, the 'creation' of abstract art. At the core of this film is a dramatic recreation of Kandinsky's account of returning to his studio one dark evening, and being astonished by an unknown masterpiece of abstract art leaning against the easel - a picture which turned out to be one of his own landscapes fallen on its side. 'Now I knew for certain that the object spoiled my pictures.' While this film's narration does indeed emphasize the notion of an inspired breakthrough to Abstraction, the picture it conveys in more purely filmic ways is a rich and complex one.

Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera

A Jumpin' Night in the Garden of Eden was the first film to document the klezmer revival, tracing the efforts of two founding groups, Kapelye and Boston's Klezmer Conservatory Band, to recover the lost history of klezmer music. For nearly a millennium, this vigorous and soulful music was part of the celebration of Jewish life in Eastern Europe. In the early decades of this century, the music took root in America. Klezmer musicians learned hundreds of tunes by ear and their ears were open to Gypsy, Ukrainian and Greek melodies of the old world, as well as to the new sounds of American jazz. Music born in Eastern Europe lived on in the imaginations of composers for New York's Yiddish theater, men whose tunes entered the mainstream through such unlikely adapters as the Andrew Sisters. Eventually Klezmer went underground as its audience assimilated into mainstream American culture.

When two friends collect money for the so-called "suffering in America" in the streets of Accra, is it for fun, political provocation, or a prophecy? Two Swiss filmmakers will answer these questions with the help of seven musicians from Ghana-M3NSA, Wanlov The Kubolor, Adomaa, Worlasi, Akan, Mutombo Da Poet, and Poetra Asantewa-who have written new songs and produced video clips especially for the documentary film Contradict.

A documentary that follows a middle-aged Azorean record obsessive who has lost the vinyl collection of his youth, and so seeks to reconnect with it through talking with the fellow island collectors he grew up with about the music scene of their wilder years.

Jackson Pollock said, “he makes the rest of us look academic,” Mark Rothko acknowledged him as a “myth-maker” and Clement Greenberg called him “a highly influential maverick and an independent genius.” Clyfford Still, one of the strongest, most original contributors to abstract expressionism, walked away from the commercial art world at the height of his career. Extremely disciplined, principled, and prolific, Still left behind a treasure trove of works like no other major artist in history. With a wonderful mosaic of archival material, found footage and audio recorded by the artist himself, Lifeline paints a picture of a modern icon, his uncompromising creative journey and the price of independence.

Here’s an interesting and extremely rare documentary from 1989, which features legendary producer and multimedia artist Brian Eno discussing his process and his thoughts on music in general.

This documentary offers an intimate look at the life and legacy of American abstract expressionist Franz Kline. Through personal memories and reflections from those who knew him—such as fellow artist Willem de Kooning, de Kooning’s wife Elaine, and other contemporaries—the film paints a vivid portrait of Kline’s personality, artistic spirit, and lasting influence. Known for his powerful black and white compositions and bold brushwork, Kline is remembered not only for his art, but also for his wit, warmth, and passionate approach to painting. The episode explores both his creative process and the deep friendships that shaped his career.

A groundbreaking documentary on the internationally renowned painter, designated by ARTnews Magazine one of the world's top-ten living artists. This documentary was shot over a period of four years, from 1998 through 2002, Agnes Martin's ninetieth year. Interviews with Martin are inter-cut with shots at work in her studio in Taos, New Mexico, with photographs and archival footage, and with images of her work from over five decades. It is a venue for Martin to speak about her work, her working methods, her life as an artist, and her views about the creative process. She also discusses her film, "Gabriel" and reads from her poetry and lectures. In keeping with Martin's chosen life of solitude, she alone appears in the documentary.

The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance.Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. They created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.

When Ruben, a young Chicano musician, is caught between his mother’s expectations and his own hopes, he is forced to make a decision that will change his life forever. Based on true events, “Con Esperanza” follows Ruben on his journey of pursuing his dreams, balancing both the traditional and financial expectations of his Mother.

It is a documentary directed by the band Serpente, one of the oldest rock'n roll bands in Belo Horizonte. The band Serpente was formed in 1982 with an original objective for the time: to play live songs of their own authorship in a style based on the deepest roots of rock'n roll and traditional rhythm and blues.