In Africa, poachers brutally maim and kill elephants for their ivory, much of which is exported to China or smuggled into the United States. The profits help fund terrorist organisations, and are used to buy guns and artillery. WILD DAZE takes an unflinching look at these problems from various perspectives, and shows how the slaughter has decimated the elephant population, left survivors traumatised, and seriously harmed the forests of Eastern and Southern Africa.
Each year over 1.2 million wildebeest travel across the vast Serengeti plains and Kenya's Masai Mara on a 1,800 kilometer circular journey, relentlessly followed by every big African predator. Revolutionary spy cams - airborne, swimming or disguised as rocks, skulls or dung - reveal the Great Wildebeest Migration from entirely new perspectives. This 2-part series focuses on the growing-up of a calf as he takes his first steps, faces his first deadly perils and tries to cross crocodile-infested rivers. It combines natural humor with exciting drama and gripping music.
What's the point of music? You might be tempted to answer that it's an enjoyable pastime or an art form, but nothing really essential. For the first time, a documentary shows the opposite. Music is a biological necessity for human beings: it helps build our brains. In recent years, the discoveries of international neuroscience researchers have revolutionized our understanding of the impact of music on our brains. This film is a behavioral and neurological investigation whose ambition is to unveil the mystery of music's powers in our lives.
Tribo Massai - Guerreiros da Fé
A documentary detailing an indiscriminate terrorist attack that left 71 dead in Kenya.
A documentary about people in Kenya who are imprisoned by the global flower industry. The dilemmas of the industry become painfully clear and a dark world of oppression, sexual abuse and terrible working conditions unfolds. There is only one conclusion possible: the smell of the imported rose is not sweet, but bitter.
The region of Lake Turkana, located in Kenya and Ethiopia, is considered to be “the Cradle of Humankind”. Among other finds, primate fossils from millions of years ago have been discovered in the region. But what about the region’s modern inhabitants and their relationship to their environment? Iiris Härmä, whose previous work includes the award-winning Leaving Africa, had the chance of joining Helsinki University’s researchers, Álvaro Fernández-Llamazares and Mar Cabeza, on their pre-pandemic trip to study the Daasanach people’s relationship to their environment through traditional animal tales. The researchers hope that storytelling would help to bridge the gap between people’s everyday lives and conservation efforts.
Still Alive - Dramma Sul Monte Kenya
Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination
A look at the Mau Mau Rebellion of the 1950s as experienced by filmmaker Donald McWilliams.
When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he meets a group of transgender friends. Together, they fight discrimination and discover life, love and self-worth.
For the first time in history, a white man has been invited to become a Massai Warrior. The Massai of East Africa are one of the last tribes on earth to live as they did hundreds of years ago. Benjamin will live among the tribe, sleeping, hunting, and surviving in the bush. He will get to know their culture, their customs of dancing and playing, and learn how to conquer the dangers of the wilderness. Will he be able to become a true Massai warrior? To become a Massai is a great journey into the unknown.
A café in the north of Brussels. Days are punctuated by the songs that the customers sing at all hours, to amuse themselves, to remember or to pass the time. Those songs transform the place little by little, making the film a strange musical.
The photographic record of an African expedition led by producer-explorer Armand Denis and his (very) photogenic and camera-toting wife Michaela, who goes bird-riding at an ostrich farm. The expedition ranges from the central interior jungles and mountains to both coasts and as far south as Capetown, and ends with a gorilla hunt led by natives using 100-year-old muskets.
Drawing inspiration from their unique relationship, Virginie Francoeur explores the journey, work, and imagination of her father Lucien, an atypical creator, an uncategorizable provocateur, and offbeat Dad, worn out by a life of excess.
In the Kenyan bush, a crackdown on ivory poaching forces a silver-tongued second-generation poacher to seek out an unlikely ally in this fly-on-the-wall look at both sides of the conservation divide.
Lions, leopard, cheetah, hyena, wild dog and crocodile - extraordinary scenes of super predators hunting. The Super Predators was filmed over three years at Londolozi Game Reserve in South Africa and on Kenya's Masai Mara. It captures some of the most extraordinary scenes ever seen on film of these super predators hunting and killing. Dramatic slow-motion action replays allow the viewer the opportunity of observing all the subtleties of these magnificent hunters in action. The film includes a plea for the world's most notorious predator, man, to work in closer partnership with nature for our mutual benefit and survival.
As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.
This documentary provides a window into the extraordinary life of activist and Nobel Laureate Wangari Maathai, a Kenyan woman who has worked to regain ownership of her country and its fate after years of colonialism. While gentle and thoughtful, Maathai carries a powerful message: the First World holds much of the responsibility for the environmental, economic and social struggles of the developing world.
The lives of three extraordinary African women from different social levels and origins determined to bring about radical transformations in their day to day realities: Kenyan attorney and reputed lawyer Njoki Ndung'u, Puthi Ragophala the committed school principal of a remote South African village and Zimbabwean housewife-entrepreneur, Amai Rosie.