Slapstick shenanigans at an overcrowded boarding house.
Based on Dowling's 1925 stage vehicle of the same name, the story is set in motion when the king of the mythical European nation of Bulgravia visits an American health resort. Hero Tim Dugan appoints himself the king's unofficial protector, saving him from the larcenous designs of crooked gambler Arnold Bookstein.
This part-talkie (17 minutes of dialogue in its 83-minute running time) tells the tale of Christina, the daughter of Dutch toymaker Niklaas. Much to her dad's dismay, Christina falls in love with sideshow huckster Jan. Likewise disapproving of the romance is Jan's jealous employer Mme. Bosman, who frames the young man on an embezzlement charge.
A young girl is kept ignorant of her mother by her aunt. After her aunt dies, the girl is used by crooks and arrested. In prison she meets a kindly woman, who is married to a judge. The woman, unbeknownst to the girl, is her mother, and adopts her. The companion of the deceased aunt, in the midst of a ball, denounces the mother and reveals her secret to the judge and guests. The judge will not forgive his wife, so the mother and daughter leave and work among the slums to benefit humanity. Eventually, the judge relents, and seeks his wife for forgiveness, but he is too late.
Henry Egbert Xerxes' big chance as a cub reporter comes when he is assigned to track down a gang of counterfeiters which gathers regularly at the Red Dog Inn. As he leaves the office, Henry witnesses a girl being dragged into a cab -- the same girl he had seen that morning passing counterfeit money. Henry follows, but on overtaking the cab, he finds it empty. At the Red Dog Inn, he discovers that the girl is being held captive. After a series of rough and tumble adventures with the resident thugs, he and the girl escape, after which he rushes home to write up the story. When it fails to appear in print, Henry storms into the city room only to discover that the entire business was a hoax, intended to test his reporter's instincts.
John Ashby and Allene Houston, two neighboring ranchers, are in love, but their parents' violent dispute over the route of the new X. Y. Z. Railroad eventually drives them apart. Colonel Houston and the elder Ashby are killed in a fight, leaving John and Allene to continue the feud, John accepting a job with the railroad company and Allene swearing never to cross their property.
As a derelict paints the face of a girl on a barroom floor, the plot is developed in a series of flashbacks: Robert Stevens, an artist engaged to marry Marion, a society girl, becomes charmed with a fisherman's daughter who poses for him. The society girl's brother brings dishonor upon the fisherman's daughter, and when she commits suicide the artist shields the brother. Stevens is blamed by his fiancée, who terminates their engagement. The artist becomes a derelict and is wrongfully imprisoned. Eventually Stevens is exonerated and reunited with Marion.
Extra-marital fun and games at a convention of the Honeywell Rubber Company in Atlantic City. President J.B. Honeywell is to choose a new company sales manager. T.R. Kent and George Ellerbe are two salesmen who both want the job. However, they both get into trouble: T.R. is discredited when jealous saleswoman, Arlene Dale, interferes with his attempted seduction of Honeywell's daughter, Claire, and George attempts to seduce Nancy Lorraine. The position of sales manager is bestowed upon a drunken employee as a bribe after he catches J.B. about to visit "Daisy La Rue, Exterminator." Considered a lost film.
An American adventure film serial comprised of fifteen episodes of two reels (24 min) each. All chapters are presumed lost.
Neglected by her grief-stricken father, a doctor, after the tragic death of his wife, little Eileen Homer changes the wording of her father's ad for a governess to read: "Wanted, a mother." After much melodrama that’s just what she gets.
A street cleaner who gets into a heated altercation with his superintendent. In the chaotic aftermath of the fight and while performing his daily rounds, the street cleaner accidentally steals a baby.
Tarnish
A picture of the great outdoors, peppered with the thrills that dreams are made of.
The Mystery of Bangalore
The Mutiny of the Bounty is a 1916 Australian-New Zealand silent film directed by Raymond Longford about the mutiny aboard HMS Bounty. It is the first known cinematic dramatization of this story and is considered a lost film. Longford claimed it was the first Australian film to shoot scenes at sea.
It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
Roman Regent of Police Baron Scarpia, loves Floria Tosca, a beautiful opera singer, but she is engaged to artist Maurice Saranof. Inspired by jealousy, Scarpia orders his soldiers to torture Saranof for information leading to the location of a friend suspected of being an Austrian spy. Forced to listen to Saranof's cries of pain, Tosca relents and reveals the whereabouts of the friend. Spurned by Saranof for her weakness, she must then negotiate with Scarpia for his life and offers herself to the baron in exchange for a phony execution. While embracing, Tosca stabs and kills Scarpia, who supposedly has arranged for blank bullets to be put in the soldiers' guns. In spite of the baron's promise, Saranof is executed, and Tosca, destroyed, climbs the prison wall. Shot while climbing, she falls to her death.
Evelyn Nelson portrays the character Frances Powell in this story that centers on themes of justice and personal vendettas in the old West.
Trilby lounges on a table with her shoes off, smoking, laughing, enjoying a piece of cake, and kissing her friend in a scene from the popular eponymous novel and stage play. Now lost, it is considered the first book-to-film adaptation.
Esteban, a white boy, is raised by an Indian squaw, who believes she is his mother and from whom Beaugard steals the papers documenting Esteban's birth and his right to inherit a ranch. When he grows up, Esteban falls in love with Patricia Benton, Beaugard "exposes" Esteban to Patricia, and the villain taunts the boy, telling him that he has no right to a white woman.