Rachel: An American Conscience

In the fall of 2002, it was announced that Benjamin Netanyahu would deliver a speech at Concordia University in Montreal, and reaction from the student body was swift and sudden.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Relentless: The Struggle for Peace in the Middle East was produced by the pro-Israel media watchdog group HonestReporting [sic]. The concentrates on the causes of the Second Intifada through an examination of compliance the Oslo Accords, by Israel and the Palestinian Authority. It pays particular attention to the failure of the Palestinian Authority to "educate for peace". The documentary shows interviews with Itamar Marcus, director of Palestinian Media Watch, S. El-Herfi, Raanan Gissin, Caroline Glick, John Loftus, Sherri Mandel, Yariv Oppenheim, Daniel Pipes, Tashbih Sayyed and Natan Sharansky.

When two young American Jews raised to unconditionally love Israel witness the mistreatment of Palestinians, they battle the old guard to create a new movement opposing Israel’s occupation, and recentering Judaism itself.

Unpublished testimonies from freed hostages, survivors, and members of first responders regarding the attacks perpetrated on Israeli territory on October 7, 2023, by the terrorist gang Hamas reveal the repugnant extent of the crimes committed by the so-called Palestinian freedom fighters.

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

A film essay by Asher de Bentolila Tlalim, an Israeli filmmaker living in London, GALOOT ("Exile" in Hebrew) is an extended meditation on the Israeli-Palestinian conflict through the eyes of those living at a distance. Through international visits (London, Israel, Morocco and Poland) and dialogue-with Palestinian refugees, the new immigrants to Israel who now occupy their homes, the current occupants of his family's former house in Tangiers, the residents of the former village of his wife's family in Lisensk, a scientist, a jazz musician, and others-the filmmaker explores the position of exile, with its unique pain and perspective on what others may be too close to perceive.

Since 9/11, the Israeli arms industries are doing bigger business than ever before. Large Israeli companies develop and test the vessels of future warfare, which is then sold worldwide by private Israeli agents, who manipulate a network of Israeli politicians and army commanders, while Israeli theoreticians explain to various foreign countries how to defeat civil and para-military resistance. All based on the extensive Israeli experience.The film reveals The Lab, which has transformed the Israeli military occupation of Gaza and the West Bank from a burden to a marketable, highly profitable, national asset.

14 years after his first visit, Louis Theroux meets some of the growing community of religious-nationalist Israelis who have settled in the occupied West Bank.

An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.

Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.

Six months after the 7 October attacks, Lyse Doucet presents searing accounts of the human cost from both sides and explores what it will take to bring about a lasting peace.

In Breaking Bread, exotic cuisine and a side of politics are on the menu. Dr. Nof Atamna-Ismaeel - the first Muslim Arab to win Israel's MasterChef - is on a quest to make a social change through food. And so, she founded the A-sham Arabic Food Festival in Haifa. There, pairs of Arab and Jewish chefs collaborate on mouthwatering dishes like kishek (a Syrian yogurt soup), and qatayef (a dessert typically served during Ramadan), as we savor the taste of hope and discover the food of their region free from political and religious boundaries.

Borderline

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

Archival film maestro Göran Hugo Olsson has assembled—from a vast catalogue of footage in the vaults of Sweden’s national television service SVT—accounts of the Israeli-Palestinian conflict as witnessed and represented by Swedish journalists. Stories of the beginning of the Israeli state interwoven with the Palestinian struggle for independence. News coverage with Yasser Arafat and interviews with Israeli foreign minister Abba Eban during a visit to Sweden unseen since first broadcast. From the tenth anniversary of Israel’s founding to the First Intifada, perspectives and encounters with statesmen, civilians, revolutionaries, and intellectuals tell the story from myriad angles of an evolving media landscape, revivifying a history of the ongoing conflict.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

When, in the late 1990s, Israeli student Teddy Katz exposed the massacre of Palestinian civilians by Israeli forces in the village of Tantura, in May 1948, during the first Arab-Israeli war, he was initially praised for his pioneering work; but he was soon infamous and branded a traitor. Decades later, incendiary new evidence emerges that corroborates Teddy's findings.

The last 31 years, PeÅ Holmquist has filmed in Gaza, depicting the fate of its people in this often cruel world. Now Holmquist makes a personal reflection based on his many visits to Gaza, most recently after the three-week intense war with Israel during 2008-2009.