The Fantastic

Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

In 2001, Jimmy Wales published the first article on Wikipedia, a collaborative effort that began with a promise: to democratize the spreading of knowledge, monopolized by the elites for centuries. But is Wikipedia really a utopia come true?

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

A hundred letters written by Portuguese women during the Salazar dictatorship were found by chance in a second-hand bookshop. By confronting today the women who wrote these letters with the ghosts of the past, and revealing important archive material, Letters to a Dictatorship takes us on an in-depth journey through the obscurantism that dominated Portugal for more than 50 years.

An investigation of government censorship in Iran.

A journey through Kim Jong Un’s past and present to understand the man and the myth who holds North Korea’s uncertain future in his hands.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

California’s fight to protect valuable native succulents from an international poaching ring. When suspicious packages are found in a small town in northern California, Game Warden Pat Freeling, gets a tip about the peculiar activity. After further investigation he exposes a vast network of illegal plant poachers. These smugglers ravage the landscape as they rip thousands of the native succulent, Dudleya Farinosa, from their natural habitat. This small unassuming plant carries a hefty bounty on its head internationally, where a single succulent boasts a price tag in the thousands. With the help of volunteers, native plant biologists, and local government, they fight to stop this ecological destruction.

In 1944 Crimean Tatars has suffered a long road in exile. It was accompanied by famine, illness and loss. In the first years of exile, almost half of deported Crimean Tatars died. But those, who survived, dreamed of only one thing - to return to Crimea. The documentary 1944 tells about the tragedy of all Crimean Tatars through several separate life stories. They are cherished by each Crimean Tatar family and must be remembered by all generations to come.

When chaos reigns, while barbaric and fanatical rulers, both ecclesiastical and secular, systematically burn entire libraries, book hunters, secret heroes of history, travel the world saving and copying texts, threatened by the madness of censors, with the noble purpose of preventing the ultimate loss of human knowledge.

Two young North Korean gymnasts prepare for an unprecedented competition in this documentary that offers a rare look into the communist society and the daily lives of North Korean families. For more than eight months, film crews follow 13-year-old Pak Hyon Sun and 11-year-old Kim Song Yun and their families as the girls train for the Mass Games, a spectacular nationalist celebration.

Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.

As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.

Five Argentinian women, with missing relatives from the military dictatorship that ruled the country, explain their emotions and feelings about all that happened.

After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)

In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He became a star of the North Korean propaganda machine, but then disappeared from the face of the earth. Now, after 45 years, the story of James Dresnok, the last American defector in North Korea, is being told for the first time. Crossing the Line follows Dresnok as he recalls his childhood, desertion, and life in the DPRK.

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

Ryun-hee Kim, a North Korean housewife, was forced to come to South Korea and became its citizen against her will. As her seven years of struggle to go back to her family in North Korea continues, the political absurdity hinders her journey back to her loved ones. The life of her family in the North goes on in emptiness, and she fears that she might become someone, like a shadow, who exists only in the fading memory of her family.​