The Fantastic

California’s fight to protect valuable native succulents from an international poaching ring. When suspicious packages are found in a small town in northern California, Game Warden Pat Freeling, gets a tip about the peculiar activity. After further investigation he exposes a vast network of illegal plant poachers. These smugglers ravage the landscape as they rip thousands of the native succulent, Dudleya Farinosa, from their natural habitat. This small unassuming plant carries a hefty bounty on its head internationally, where a single succulent boasts a price tag in the thousands. With the help of volunteers, native plant biologists, and local government, they fight to stop this ecological destruction.

On the night of July 19, 1977, Inés was traveling by bus when a military patrol detained all the passengers. That morning, almost everyone was released except Inés. Her father began a never-ending search that led him to the very center of Argentina's repressive apparatus. The judicial path and the love of a family that never stops.

In 1944 Crimean Tatars has suffered a long road in exile. It was accompanied by famine, illness and loss. In the first years of exile, almost half of deported Crimean Tatars died. But those, who survived, dreamed of only one thing - to return to Crimea. The documentary 1944 tells about the tragedy of all Crimean Tatars through several separate life stories. They are cherished by each Crimean Tatar family and must be remembered by all generations to come.

A chronicle on the days without Jorge Julio López, key witness and complainant on the first trial on genocide in Argentina, dated in 2006. López, who had survived through concentration camps on the late seventies argentinian dictatorship, disappeared for the second time the day the court decision meant to condemn his kidnappers was about to be read.

In Russia, criticizing the war in Ukraine or Vladimir Putin’s regime has become a crime. Thousands of ordinary citizens are being arrested, tried, and imprisoned. They are called “Politzek”: political prisoners. Filmed clandestinely over the course of more than a year, Politzek gives a platform to those who, despite the fear, continue to speak out against Putin’s repressive Russia. Through the intersecting stories of a teenager sentenced to five years in prison for criticizing the government on social media, a young artist jailed for placing anti-war stickers, a human rights activist, and two theater directors facing Kafkaesque trials, the film unveils the machinery of state repression in Russia. With rare footage, broken yet unyielding voices, this is a story of silenced resistance.

A history of the political and social repression carried out by the ruthless regime of Spanish dictator Francisco Franco between 1936 and 1975 that focuses on the lives of gays and lesbians during those dark years and the death of the Spanish gay poet Federico García Lorca.

As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.

The subject of the film is censorship in the broadest sense, and the narrator and guide of this story is the non-existent Mr. N. - a limited, though not humorous dignitary-censor. His inner monologue gives the whole film a certain course, and also "gives credibility" to the statements of artists, critics and officials of the time. In the documentary, almost all the prominent directors, screenwriters and critics of the post-war 50 years speak about artistic freedom and its restriction. We listen to Czesław Miłosz, Jerzy Stefan Stawiński, Janusz Morgenstern, Maria Kaniewska, Kazimierz Kutz, Janusz Głowacki, Feliks Falk, Wojciech Marczewski, Marek Piwowski, Janusz Kijowski, Wiesław Saniewski, Marek Ryszard Groński and Krzysztof Zanussi. There were also reviewers: Krzysztof Teodor Toeplitz and Zdzislaw Pietrasik.

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

This is a 25-minutes piece about the DPRK (North Korea), a country Vltchek visited and fell in love with. Vltchek goes against the hegemonic western propaganda that is perpetuated towards DPRK and their people, showing the beauty that resides in the country.

In the summer of 1989, the 13th edition of the World Festival of Youth and Students was held in Pyongyang. Thousands of socialist youth from 177 countries celebrated their belief in a better society and international solidarity.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Argentina, 1973. The return of democracy marks the beginning of a new countdown to the next coup d'état: on March 24, 1976, the worst dictatorship in Argentine history is installed, the bitter fruit of a plot carefully hatched for months.

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

Five Argentinian women, with missing relatives from the military dictatorship that ruled the country, explain their emotions and feelings about all that happened.

"Chicha, Hope and Pain" addresses the emblematic figure of Chicha Mariani, founder of the "Grandmothers of the Plaza de Mayo." It is structured in two phases: that of hope, that of the young journalist Juan Martín Ramos Padilla, who wrote Chicha's biography; and that of pain, that of a woman who fought for 42 years of her life, not only to recover her stolen granddaughter, but also to restore justice and dignity.

A 30-minute documentary on book banning and censorship that follows author Dave Eggers as he investigates why a Rapid City, SD school board wanted to ban his book.

Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.