Faraway

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Veterans of Foreign Wars as a fraternal and social organization, with emphasis on their projects that benefit community life and cohesion.

Canadian author, humorist and storyteller W.O. Mitchell talks about his career as a writer and performer. Known for his witty radio and television appearances, Mitchell shows a more serious side as he reveals his personal views on writing and on the meaning of life and death.

Makulatura [which means both scrap paper and pulp fiction in Russian] is a duo of poets Evgeniy Alyokhin and Konstantin Speransky, who have been performing together since 2003. Blending classic literature references, mind-bending introspection, musings on modern love and an ironic attitude to their act, they create what faithful fans and listeners call “existential rap.” The film follows Makulatura on tour through several Russian cities.

A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.

Images and numbers illustrate the domestic political measures taken after the Nazis came to power to eliminate unemployment.

La marche

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

In the year that Cannes Film Festival handed out awards to Federico Fellini for La Dolce Vita, L'Avventura by Michelangelo Antonioni, and Kagi by Kon Ichikawa -- 'Le Sourire' won the Palme d'Or for Best Short Film in 1960. This quiet and intelligent film is a remarkable interpretation of a young monks perspective into a world of meditation, sacred geometry, and coming of age. A tribute to Buddhism, introspection and the wonders of nature...a short but lasting work of art.

LA CASA DELLE VEDOVE portrays a group of widows who, he thinks, lived in a constant ‘dialogue‘ with death. In the house where they all lived ‘every colour was saturated with that special reddish shade that you see everywhere in Rome, and furthermore the rooms were filled with a stale, musty smell.‘

A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.

There are children. There are those who abuse them. And there are those who know, but never tell.

Promotional film extolling the wonders to be seen at the New York World's Fair.

Con Traje y Sin Zapatos

Set in a leper colony in the north of Iran, The House is Black juxtaposes "ugliness," of which there is much in the world as stated in the opening scenes, with religion and gratitude.

In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.

Think you know your baby? Think again. This beautifully shot, heart-warming and scientifically revealing film, narrated by Martin Clunes, brings you babies as you've never seen them before. The first two years of our lives are the most critical of all. We grow more, learn more, move more and even fight more than at any other time in our life. We have to master the complex skills of walking, talking and relating to the world around us. But we are not yet built like an adult. We have more bones in our body at birth than an adult does, yet we don't have kneecaps. We laugh 300 times a day as a baby, but in the first few months we can't produce tears when we're upset. Secret Life of Babies reveals all these facts and more, telling incredible stories of babies' resilience and survival skills to boot.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.