As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.
In a time when the world needs greater cross-cultural understanding, WUHAN WUHAN is an invaluable depiction of a metropolis joining together to overcome a crisis.
A French documentary on how Covid-19 affected Hollywood and the cinema industry in the United States.
The Covid hysteria began with slogans like “just 15 days to flatten the curve”, but within a year, it evolved to be “everyone must get vaccinated”. Your rights to the absence of coercion and informed consent are now under continual attack! People around the world are unable to get on planes and trains, access hospitals, attend funerals, go to restaurants and gyms, simply because they do not have a “health” pass.
Documentary about filmmaker and film lover Stig Björkman during the pandemic year of 2020 when he stay in touch with his friends over his laptop.
A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 - the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.
Award-winning documentarian Jenner Furst seeks answers from Dr. Fauci about the origins of COVID-19, a bio-arms race with China, and what could be the largest coverup in modern history. Awaiting Fauci’s reply, Furst falls down a rabbit hole, decoding hundreds of thousands of pages of documents with prominent scientists, intelligence analysts, former government officials, and whistleblowers. Risking career and reputation, Furst depoliticizes one of the most controversial stories of our time, in an urgent scientific docu-thriller that is Oppenheimer meets Outbreak.
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century
Never-before-seen footage shows how our living in lockdown opened the door for nature to bounce back and thrive. Across the seas, skies, and lands, Earth found its rhythm when we came to a stop.
Millions of people forced into solitude for months, struggling with the anxiety, loneliness, and fear of losing everything they have.
Shots puts an amusing spin on the little-known history of eugenics. It traces the genocidal, anti-ethnic eugenics movement which resulted in the sterilization and elimination of millions. It exposes how the wealthiest families financed the evolution of eugenics into Nazi Germany, and pushed America into perpetual wars. These families further influenced the government's elimination of financial liability for vaccine manufacturers while simulating run-ups to the 2020 pandemic. By that year the wealthiest had bought and controlled the media, and censored medical experts that criticized government actions. Shots illuminates how the government censored effective therapeutics, financially incentivized hospitals to adopt misleading reporting practices and deadly treatments, doubled global deaths with lockdowns, bankrupted small businesses, and allowed the most unsafe vaccines in a century.
The story of the unprecedented sports shutdown in March of 2020 and the remarkable turn of events that followed. This sports documentary is a chronicle of the abrupt stoppage, athletes’ prominent role in the cultural reckoning on racial injustices that escalated during the pandemic, and the complex return to competition in the summer and fall.
Using intimate footage recorded by passengers and crew, The Last Cruise is a first-person account of the nightmare that transpired aboard the ill-fated Diamond Princess cruise ship, which set sail from Japan on the earliest days of the COVID-19 pandemic.
A woodsman from the Catskills helps a group of people get through the COVID-19 pandemic with a daily livestream.
March 2020. Fabrizio, a photographer and filmmaker who lives in Luxembourg, returns to his family in central Italy after his father has suffered a heart attack. It’s the beginning of the pandemic, the country is in lockdown. An intimate diary and an ode to filial love in the face of the most trying circumstances a son can face. A tale of the soul and personal hardship in the context of a broader collective tragedy.
“To me films are an imaginary world where emotion comes into play.” YOO Teo traveled to Belgium to make his movie but he ended up being locked down due to COVID-19. This film is about his 15-days of quarantine in Antwerp Hotel fighting for his movie and loneliness. He also depicted his most personal story. This is the debut film of YOO Teo both as the star and the director.
In 2022, an exhibition on the Swiss painter-sculptor Flavio Paolucci was planned in a German museum. The museum had reserved a white wall on which the artist was to create a work. Everything was ready, but the pandemic prevented the 88-year-old artist from travelling. So Flavio Paolucci had the idea of creating this mural in his studio and then destroying it.
This critically acclaimed Vietnamese documentary portrays the claustrophobic struggles against COVID-19, led by a group of doctors and nurses, in an effort to save the lives of COVID infected pregnant women. Produced by national news channel VTV, "Ranh Giới", meaning "borderline", refers to the line between life and death.
A groundbreaking film that chronicles how a cabal of mega-corporations worked through the United Nations to hijack our world, all while being aided by the mainstream media and Big Tech.