Mōjū Tsukai no Shōjo

In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.

Having lost his job and the company he built, a 36-year-old man at rock bottom goes on a wistful solo trip to Japan in search of the love he left behind.

m e m o r y - m a c h i n e

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

Mei Tachibana is a high school student. Due to a traumatic incident when she was a kid, Mei has been unable to make friends or have boyfriends. By mistake, Mei then injures the most popular male student named Yamato Kurosawa. Somehow, Yamato Kurosawa likes Mei Tachibana and tells everyone unilaterally that Mei is his friend. One day, Yamato Kurosawa saves Mei Tachibana from a stalker by kissing her. From that kiss, their love story begins.

Taro Shiraga (played by Ninomi Kobayashi), nicknamed “Shigarami Taro”, works in the insurance company’s contract management division. Officially, his role is to entertain insurance saleswomen and encourage them to improve their sales performance. Behind the scenes, however, he is a shrewd investigator of insurance pay-outs. Whenever an incident occurs, his “eyes” at the scene are sharp and discerning. Yet this hidden side of him remains unknown to his colleagues and family. One day, Taro is instructed to go to Matsue under the pretence of entertaining saleswomen from the Matsue branch. In reality, it is an assignment to investigate an insurance claim.

An inexperienced astral projector seeks his grandmother’s wisdom after meeting an uncanny woman in a place transcending reality.

A 'Glamour' film showing 3 cute Japanese girls slowly revealing and caressing their bodies behind their 'cutesy' little outfits.

Three parallel love stories set in three different cities are set against some of the major international events of the last five years, in this ambitious.

Kwon returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori, who has come back from Japan to propose to her. Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology.

A boy rescues a girl who has collapsed in a river, from their exchanges and memories a tale of loneliness and meaningful connection gradually unfolds.

Inada plays Betty Yoshida, a singer and dancer from America who arrives in Japan to go on tour, only to be swindled by scheming managers. Penniless and cast to the streets, Betty is taken in by Oki (Nakagawa), a talented tap dancer who introduces her to a group of struggling musicians living and working together.

Yuri is an ordinary teenage girl. But one day, everything changes when she learns that she's apparently dead. Even though she's technically not alive, she tries to keep her humanity and life. Her family, however, wants her out of the picture.

Two American GIs are the only survivors of a unit wiped out in a battle with Japanese troops on an isolated island. The two, who don't like each other, find try to put aside their differences in order to evade the Japanese and survive.

A lonely otaku is fired from his job. He is rescued in a ruined building by a strange girl in a sailor suit. When he wakes up, the girl becomes a figure. The young man and the pretty figure begin to live together.

An international student receives comfort following the news of a tragedy back home.

Aoki is a failing novelist, and Sol is a failing pop singer. Encountering each other in South Korea, speaking different languages, they and their families somehow end up in a truck heading off into the Korean countryside.

An ex-military pilot fears for his daughter's safety after seeing a vision of the end of the world.

Two boys, whose parents ply their trade by the mouth of a muddy river in Osaka, become close friends.

A narrator relates the Japanese tale of two lovers who defy their families and society to be together. The tale ends happily, until something happens to make this tale truly Japanese in character.