Le monde dans un tableau - Le chapeau de Vermeer

The passionate story of the femme fatale, seductive and dangerous, a myth and a fantasy, through her representation in art.

A montage, using documentary material filmed during the war, shows the beginnings of an air attack and Londoners entering shelters. From the silent deserted streets, the film moves underground into the world of Henry Moore's shelter drawings. People sit along subway platforms, looking after their children, settling down for the night, sleeping in bunks and on the floor. Above ground London burns. Henry Moore used the eye of a sculptor in portraying the stolidity and enduring patience of a besieged people. This film brings together a unique series of drawings which are some of the most remarkable achievements of an artist during wartime. Eliminating all narration, it explores, on several metaphoric levels, the very nature of human consciousness and creativity.

The Russian painter Wassily Kandinsky claimed, or has been credited with, the 'creation' of abstract art. At the core of this film is a dramatic recreation of Kandinsky's account of returning to his studio one dark evening, and being astonished by an unknown masterpiece of abstract art leaning against the easel - a picture which turned out to be one of his own landscapes fallen on its side. 'Now I knew for certain that the object spoiled my pictures.' While this film's narration does indeed emphasize the notion of an inspired breakthrough to Abstraction, the picture it conveys in more purely filmic ways is a rich and complex one.

The many references in contemporary film to Edward Hopper's works, as well as the widespread reproduction of some of his paintings have made his universe familiar to many. His unclassifiable figurations weave a dialogue between appearances and light, between the unmistakeable and enigma. Focusing on the artist's personal life in the context of 20th century America, "Edward Hopper and the Blank Canvas" bears witness to a fiercely independent painter, who was aware of the issues of his era, and who was hostile to the imprisonment that a modern American art opposing realism and abstraction could lead him to. This film brings the artist to life, transposing his realist and metaphysical poetry. It is a subtile and passionate work, which at last unveils one of the most important painters of American modernity.

Emil Nolde was a Nazi – and so what, asks contemporary German artist Daniel Richter. “It’s a moralistic debate. A debate, that mirrors the moralism and bigottery of a generation that seems to think, that the world is a moral playground.” Emil Nolde’s relationship to the Nazi-regime in the Third Reich has given rise to immense discussions within the last months. For decades the broader public had a picture of Nolde being one of the “entartete” artists as well as being prohibited painting by the Nazi-regime. Though this on the surface is true, it was the result of a great disappointment to Nolde. For years, he had strived to become “the” artist of the Thrid Reich, praising his own art as true, German, anti-French and anti-Jewish. Possible competitors within the German art world like Max Pechstein he actively denounced to the Nazi authorities.

This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.

From the cabinets of curiosities created in Italy during the 16th century to the prestigious cultural institutions of today, a history of museums that analyzes the social and political changes that have taken place over the centuries.

Palazzo Vecchio: a history of art and power. Directed by Piero Messina, through a clever movement of the narration between past and present, makes a real journey into the beauty of an ancient place that still retains its undisputed charm.

Dr. Francis Schaeffer's spectacular series on the rise and decline of Western culture from a Christian perspective.

Claude Monet was an avid horticulturist and arguably the most important painter of gardens in the history of art, but he was not alone. Great artists like Van Gogh, Bonnard, Sorolla, Sargent, Pissarro and Matisse all saw the garden as a powerful subject for their art. These great artists, along with many other famous names, feature in an innovative and extensive exhibition from The Royal Academy of Arts, London.

The thousand-year-old tradition of pottery in the Indian subcontinent is now under threat. With the market being flooded with plastic in the evolution of civilization, today this Pal community is becoming displaced.

An account of the short life and the astonishing and provocative work of the Austrian painter Egon Schiele (1890-1918), seen through the peculiar point of view and the critic voices of the women who defined the paramount milestones of his existence: Gerti, his sister; Wally, his main model and lover; and Edith, his wife. A brief story of love, hate, betrayal and misfortune.

Goya, tiempo y recuerdo de una época

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

Tim Jenison, a Texas based inventor, attempts to solve one of the greatest mysteries in all art: How did Dutch Master Johannes Vermeer manage to paint so photo-realistically 150 years before the invention of photography? Spanning a decade, Jenison's adventure takes him to Holland, on a pilgrimage to the North coast of Yorkshire to meet artista David Hockney, and eventually even to Buckingham Palace. The epic research project Jenison embarques on is as extraordinary as what he discovers.

A survey of the painting of Henri Matisse, revealing the development of the idyllic quality in his work. Studies pictures from the beginning of his career, and follows the spontaneous flowering of color.

A documentary celebrating Lee Miller, a model-turned-photographer-turned-war reporter who defied anyone who tried to pin her down, put her on a pedestal, or pigeonhole her in any way.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

The Mona Lisa, also known as La Gioconda, is a work by Leonardo Da Vinci and one of the most famous paintings in the world. It is currently on display at the Louvre Museum in Paris and is visited by millions of people every year. The Gioconda has not only gone down in art history for its artistic value, but also for the mystery surrounding its creation. Painted between 1503 and 1519, Da Vinci's last great work was revolutionary for the painting techniques used. After several analyses of the painting, it is known that the artist first made the drawing and then applied the oil paint. Da Vinci was the inventor of the 'sfumato' or blurring technique, which consists of blurring the outline of the drawing and softening the colors to create a play of shadows that gives the figure a three-dimensional effect.

Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.