Driving While Black: Race, Space and Mobility in America

“Forgetting is complicit in recidivism,” says the commentary of this film dedicated to the demonstration of October 17, 1961 in Paris and the savage repression that followed. 11,538 Algerians will be arrested, which is reminiscent of the great Vel d’hiv roundup of July 16 and 17, 1942 where 12,884 Jews were arrested.
 The film brings together eyewitnesses including a priest, a peacekeeper, a couple of workers sympathetic to the Algerian cause, a lawyer, Paris municipal councilors including Claude Bourdet (then one of the leaders of the PSU and journalist to France Observateur), Gérard Monatte, the future police union leader, and the editor and writer François Maspero.

The decades-long debate surrounding reparations is fraught, mired in racial tension and the semantics of restorative justice. While the national conversation remains stalled due to legislative inaction, communities across the country examine their histories and take it upon themselves to arrange their own form of reparations. This detailed investigation of restitution presents accounts of everyday people confronting the past and exploring the possibilities of wealth transfer.

In the 1980s, young people of North African descent born in France and a priest from the Lyon suburbs organized the "March of the Beurs." Launched on October 15, 1983, by seventeen people from the La Cayolle neighborhood in Marseille following a racist crime, the march concluded two months later—on December 3—on the streets of Paris, with 100,000 participants. This movement demanded equal rights. Was their cry heard?

Documentary made by Yunus Vally, born in the 60s into a Muslim family during the height of the Apartheid era in South Africa, which examines the impact that the discriminatory laws of the state - specifically the so-called Immorality Act that determined who you could love and the censorship regulations that clearly defined what was deemed desirable - had on his life. It is also his attempt to fathom how he could have been an ardent Trotskyite who secretly fancied blonde Afrikaans beauty queens. (Storyville)

Sebz traces an intimate and heartbreaking journey through her past and present, exploring the nuances of her identity as a non-binary, black, asexual trans person. Through an introspective narrative, Sebz reflects on the abuse she suffered as a child and the revelation that these experiences were not unique, but also familial. In a space where memory and reality intertwine, Sebz confronts her relationship with her mother, a complex connection torn between rejection and a search for understanding, accentuated by tensions of gender, sexuality and shared trauma. This short queer documentary is an honest and courageous portrait of wounds, family ties and the resilience that defines those who seek to exist beyond social impositions.

An in-depth and provocative look at the 1992 Los Angeles riots exploring the roots of civil unrest in California and the relationship between African Americans and LAPD.

In contrast to the lens that focuses exclusively on the racist traditions that are rooted in America’s social history, the moral counterweight of close, loving, friendship and collaboration, which have always been present in our history, represents “the other tradition.” This “other tradition” is a source of inspiration and presents models of behavior that are instructional and include unknown and uncelebrated legacies to be absorbed and emulated across generations of present day Americans. The documentary discusses the “better in us” a needed collective perspective in the current climate of national disunity across racial, religious, and political lines. This has significant implications for addressing public issues from immigration to health care and the myriad of governmental, educational, business, and religious challenges that we must successfully meet to weave the fabric of unity which is indispensable to survival as a nation.

In April 1999, three Lakeside brothers murdered a Mexican migrant worker by beating him to death. Producer Lee Harvey spent several months talking with Lakesiders--teachers, social workers, longtime residents and teens who are avowed racists--to unearth the reasons why kids would commit this gruesome crime and why it happened in the peaceful, semi- rural town of Lakeside in eastern San Diego county.

Doing really well on your school assessment tests, but still having the school recommend that you go to preparatory vocational school. Going to a club with friends and having the bouncer keep you out. Having to endure jokes from classmates. These are examples of the sort of casual racism that the children of director Karin Junger and their friends have to face. In Ik alleen in de klas, director Karin Junger, white mother of three darker-skinned children, stands with her family to confront the racism they experience in their daily lives. Twelve adolescents meet at a mansion in France. The group consists of Junger’s children and their friends. All of them come from ethnic minority backgrounds and share a feeling of being excluded from Dutch society. Re-enactment is used to explore painful situations again. In this simple but effective documentary, we can see the impact of subtle and less subtle forms of racism on the lives of young Dutch people.

Driven to maintain social order, policing in the United States has exploded in scope and scale over hundreds of years. Now, American policing embodies one word: power.

The only people charged over the brutal police murder of Elijah McClain are community activists who organized mass peaceful demonstrations calling for justice. They are facing up to 48 years in prison - among the highest charges for peaceful political protest in recent history.

This feature documentary takes us to the heart of the Jane-Finch "Corridor" in the early 1980s. Covering six square blocks in Toronto's North York, the area readily evokes images of vandalism, high-density subsidized housing, racial tension, despair and crime. By focusing on the lives of several of the residents, many of them black or members of other visible minorities, the film provides a powerful view of a community that, contrary to its popular image, is working towards a more positive future.

Me sem s-ar tu

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

Pop star Leigh-Anne Pinnock confronts her experience as the only black member of Little Mix, and as a black woman in the music industry. She embarks on her own very personal journey to understand how she can use her platform and privilege to combat the profound racism she sees in society around her.

This documentary celebrates the Black cultural renaissance that existed in the Greenwood district of Tulsa, OK, and investigates the 100-year-old race massacre that left an indelible, though hidden stain on American history.

The documentary tells the story of Júlio César, a young Afro-Brazilian who was executed by the Police in the 1980s in Porto Alegre. The crime became notorious when the press published photos of Julius being put alive in the police car and arriving 37 minutes later shot and dead at the hospital.

In the run-up to parliamentary elections in mid-October, Polish filmmaker Marcin Wierzchowski travelled across his country to gauge the atmosphere in a society that is more divided than ever.

On August 29, 1970 in East Los Angeles, a peaceful march of over 20,000 Chicanas/os, united in protest against the Vietnam War as part of the National Chicano Moratorium movement, was violently interrupted by an extreme, unjustifiable response by law enforcement. The tragic events of that day left four dead. Chicano Moratorium: A Question of Freedom is a harrowing, eyewitness documentary of the events of August 29, 1970 and their immediate aftermath, including the murder of Chicano journalist, Ruben Salazar. In contrast to biased TV news reports of the period, this student-made short offers an impassioned, unvarnished community account of the unrest and violence unleashed by the Los Angeles Sheriff’s Department in response to the otherwise peaceful march in protest of disproportionate Chicano casualties in the Vietnam War.

Vitoria, marzo de 1976