A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.
Fulano de Tal
Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.
The story of Ayahuasca, from its emergence in the Amazonian Forest, to its popularity with the Santo Daime religion, and on to its arrival in urban centres. Combining scientific, religious and anthropological perspectives on the use of Ayahuasca in modern society, and in parallel with the director own healing process, for the first time, a holistic, yet balanced view of this controversial subject.
Filmed over a period of 3 years, this video work is a meditation on the borderline of the river Tejo, between Marvila and Barreiro. A psychogeographic piece that seeks out a feeling of doubt, inertia, and waiting. "Two sides, along the boundary line All the weight of the water above Metal arms extended to the heavens As if the sky was tilting to meet them And those giants again; Four by four . . . . all in a line, up against the tide."
A short film made from photos of Boca do Lixo, a bohemian and marginal neighborhood, and its people.
Não matei ninguém e mesmo assim fui ao Cinema
After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.
Keyla the police officer and the unprepared detective Claudio could not be more incompatible. However they are forced to form a duo to solve the series of mysterious murders that are happening in the quiet city of Joinlândia.
Berço Esplêndido
Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.
A priest captures and arrests a vampire. He visits him for a regime of scientific experiments and strangeness. Over time the encounters become a hallucinated erotic and supernatural relationship.
A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025
A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.
MEDÉIA
Is it more difficult for a woman to direct a movie? To finance it? To be respected by her team? Does she have a different way of looking at the world? Does cinema have a gender? In our two previous documentaries, we had already asked these very contemporary questions to 20 female and 20 male directors in France. But we have been eager ever since to expand the borders of our work, to question women filmmakers around the world. That is what this film has achieved, from Asia to Africa and Europe… All the women we met were funny, sincere, committed, concerned, and all looking for the best possible way to exist in an environment always governed by men. All FilmmakErs and living witnesses of the dysfunctions that still exist in the film industry.
Jodie is a fast paced, breezy look at the transatlantic phenomenon that has made Hollywood actress Jodie Foster an icon for lesbians who identify with, adore and celebrate the screen personas of her remarkable career.
A short film about Tay, a ladyboy, and his daily life, traveling to and from school, and silently touching up his makeup in front of the mirror.
You know, I like sweet blues... I want to be singing. I want to be sweet," said music legend Mike Bloomfield of his searing, lyrical guitar playing. His awesome instrumental prowess is on full display in this raucous documentary celebrating the legacy of a hard-living, finger-fretting renegade. Described by fellow icon Al Kooper as "not just another white boy [but] someone who truly knew what the blues were about," Bloomfield drew on African American tradition while burnishing his licks with a radical compositional approach reflecting the social and cultural upheaval of the 1960s.
As the 'one country two systems' policy in Hong Kong has slowly eroded, resentment among the territory's citizens has steadily grown. What began as a series of spontaneous protests against an extradition law in March 2019 has now escalated in to a full-blown popular uprising that shows no signs of abating. ABC Four Corners reports from the frontline of the action, capturing extraordinary footage of the growing tension and violence.