They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.
A look back at the life and works of Michelangelo Antonioni.
One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.
Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.
Leonard Maltin interviews Tony Curtis on his experience filming 'Some Like It Hot'.
A look back at the impact Billy Wilder's comedy classic "Some Like It Hot" has left since it's release in 1959.
A look back at the making of Billy Wilder's 1959 comedy classic "Some Like It Hot."
In this program, director Bing Liu, executive producer Gordon Quinn, and producer Diane Quon discuss the conception of Minding the Gap and its evolution. The program features separated interviews that were conducted in 2020.
The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.
A behind the scenes snapshot of the making of one of the greatest films ever made. Filled with trivia, interviews from cast and crew, and more.
Profile of Jean Gabin, the great French actor of 100 films, who died in 1976 at the age of 73. Here his career is traced and he is remembered by some of the many producers, directors, writers and actors with whom he worked. Illustrated with many photographs and film clips. Narrated by Nadia Gray who played opposite Gabin in the early 50's. Interviews with Directors Rene Clement, Jean Dellanoy, Denys de la Patelliere, Granbier-Deferre. Actors Madeleine Renaud, Michele Morgan, Simone Simon, Jean Desailly, Francois Arnoul, Lino Ventura, Danielle Darrieux. Cinema Critics and Historians Claude Beylie, Robert Chazal. Screenwriter Michel Audiard. 1978.
A new documentary on the Criterion Collection edition of Roman Polanski's 1971 adaptation of Macbeth featuring interviews with the director, producer Andrew Braunsberg, assistant executive producer Victor Lownes, and actors Francesca Annis and Martin Shaw.
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
A testament of the greta B-movie director Lucio Fulci, whose films inspired great director like Quentin Tarantino. Lucio Fulci gift a long meditation about moviemaking fascinating for his sincerity, irony e clearness, about his filmmaking and his particular career.
An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.
Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.
The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.
Counter Shot: Departure of the Filmmakers
Since the 1930’s, sound gurus referred to as Foley artists have recreated the sounds that infuse a film with life. During a film’s post-production, Foley artists recreate sound that will match the moving image on-screen, using whatever objects are at their fingertips, from hundreds of pairs of old shoes to clunky old tools and squeaky mattresses. But how will Hollywood’s low-tech sound artists survive as digital technology consumes modern movie-making?
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.