Troubled Times

Laurette ou L'amour voleur

Le Système Ribadier

Le bonheur des autres

If a husband cares about his wife, it is because he loves her without a doubt... With all the feelings that love entails, such as tenderness, sex... and the instinct of ownership. So if another man tries to take this woman from him, our husband has only one thought in mind, revenge, because it is jealousy that drives him. In the end, we will have to find out which of these two feelings leads the world... sex or jealousy, or maybe both at the same time!

La voyante

A business owner has a consuming passion for gaming. He has lost almost everything and decides to sell his apartment. To do this, he must drive his wife away and put his driver in the confidence.

La Parisienne

Célimare le bien-aimé

Chacun sa croix !

Darling Chérie

Décibel

Detective Story

Dévorez-moi

Two men share an odd friendship while they care for two women who are both in deep comas.

Le plateau télé de Catherine et Liliane

A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.

The year 1933: Successful actress Maria Rheine is in love with her Jewish colleague Mark Löwenthal. When the Nazis implement the racist Nuremberg Laws, their relationship is severely endangered. Defiant Maria decides to stay together with Mark and ends her promising career: She assumes a Jewish identity and continues to work under the name Manja Löwenthal. She and Mark perform at the Jewish Theatre in Berlin, until they become victims of an intrigue: Their colleague Judith, who has a crush on Mark, denounces them to the secret police.

Bisous Bisous

Corinne d'Alys (Daniels) achieves sudden success on the stage and among her many admirers is noted artist Robert Townsend (Menjou). Robert is married to Elsa (Williams), the sister of John Elliott (Stone), the producer responsible for Corinne's rise to fame. The young woman's head is turned by the praise she receives and, despite John's warning against Robert, she permits the latter to paint her portrait and pay her a good deal of attention. John himself loves Corinne and believes that wisdom will come to her with time.

A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.