The genesis of To Open Eyes: A Film on Josef Albers developed from Arnold Bittleman's appreciation for Albers while Bittleman was a student at Yale University in the 1960s. Wanting to preserve Albers’s teaching method—learning by doing—Bittleman set out with filmmaker and editor Carl Howard to make a visual record of Albers teaching students how to see and use color as a visual grammar. The film includes archival footage of Josef Albers at home in conversation with Bittleman, as well as footage from Black Mountain College and Yale University.
Both a visit to a very peculiar exhibition at the Bundeswehr Military History Museum in Dresden, Germany, as well as an unprejudiced look at the artistic depiction of violence throughout history and the ways in which that depiction has been gendered.
On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.
Stan Hill Jr. is a Haudenosaunee artist living in Miawpukek First Nation Reserve, Conne River, Newfoundland. In “The Bear Inside a Whale,” he and his family discuss racism, identity, religion, creation and art, along with the cultural extinction of the Beothuk of Newfoundland. Throughout the film, we follow Stan carving a bear out of a whale vertebra. And we visit The Rooms (museum) in St. John’s, Newfoundland, where Stan talks about viewing and reclaiming Indigenous artefacts.
Dentro Caravaggio
In a career spanning sixty years, Britain's absolute darling has brought his mocking nonchalance and formidable gravelly voice to every genre, from hard rock to jazz and pop. Portrait of a pop aristocrat who has managed to stay in touch with the people.
A tiny fragment of an actuality film of Tom Merry (William Mechem), a 'lightning sketch' caricaturist performing his act for the camera and producing a large profile caricature of Kaiser Wilhelm II. The loss of the rest of the film has bequeathed us 6 seconds that are of Mechem standing next to the completed portrait and sadly, that is all there is. An early film made by Birt Acres for R.W. Paul. (see release information for further detail).
The documentary talks a little about the carnival experience that Arlindo Rodrigues had during his more than 25 years of artistic life.
An intimate portrait of New York artist Michael Anderson during the last year of his life. The film is structured by way of Roberto Bolaño's novel 2666.
Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
A worn-out floor, the hole underneath, a political activist, and the Ouled Sbita tribe are the protagonists in this political satire. For 23 years, the director’s chair at an international art institute scratched the wooden floor. This 102cm x 120cm floor section is cut out and sent to an expropriated piece of land in Morocco. In The Hole’s Journey, Ghita Skali uses sharp wit, personal stories and playful editing to touch on specific power dynamics and freedom of choice.
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.
The humorous portrait of a female artist. The film follows the career of 24-year-old Janine F. who in 2002 caused a commotion from the rooftop of a Berlin building.
World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
Bas Jan Ader rides his bike into a canal in Amsterdam.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
Exhibition on Screen's latest release celebrates the life and masterpieces of Hieronymus Bosch brought together from around the world to his hometown in the Netherlands as a one-off exhibition. With exclusive access to the gallery and the show, this stunning film explores this mysterious, curious, medieval painter who continues to inspire today's creative geniuses. Over 420,000 people flocked to the exhibition to marvel at Bosch's bizarre creations but now, audiences can enjoy a front row seat at Bosch's extraordinary homecoming from the comfort of their own home anywhere in the world. Expert insights from curators and leading cultural critics explore the inspiration behind Bosch's strange and unsettling works. Close-up views of the curiosities allow viewers to appreciate the detail of his paintings like never before. Bosch's legendary altarpieces, which have long been divided among museums, were brought back together for the exhibition and feature in the film.
Thomas Schütte's work is always about people. His works have gravity and lightness, but they also show damage, power relations, fears, dependencies, evil, weird and beautiful figures. Schütte studied from 1973 to 1981 at the Düsseldorf Art Academy under Fritz Schwegler and Gerhard Richter. Today, he is one of the most important contemporary artists and is represented in all major museums and collections worldwide.