Carol I

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

A deceptively simple set-up: the director and his father watch a 1988 football match which the father refereed, their commentary accompanying the original television images in real time. A Bucharest derby between the country’s leading teams, Dinamo and Steaua, taking place in heavy snow, one year before the revolution that toppled Ceaușescu.

Meet American fighter pilots and bombers who raided Romanian targets in WW-II including its major oilfields centered on Ploesti and Romanians who defended them. 'Ace' pilot interviews, both American and Romanian, as well as US Air Force prisoners experiences are explored through rarely viewed Romanian archive footage. The documentary is seen through the eyes and words of Nicholas Dimancescu. He journeys back to Romania both to discover his own roots and also to uncover the stories of American and Romanian airmen who raided and defended Romania's oil refineries during World War II. The experiences of wartime 'aces' on both sides are recounted and two of them, once enemies who attacked one another over Romania, meet for the first time 66 years later.

Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.

1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.

A documentary portrait of legendary Perfect Ten gymnast Nadia Comaneci after becoming an icon in the 1976 Olympics, during her Romanian period, and her challenging years under the dictatorship of Nicolae Ceausescu.

A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.

Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.

The three-hour-long documentary covers 25 years in the life of Nicolae Ceaușescu and was made using 1,000 hours of original footage from the National Archives of Romania.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.

For over a hundred years, Mărculești was a vibrant Jewish agricultural and mercantile community in Bessarabia (now present-day Moldova). In July 1941, the village was the site of an unimaginable atrocity. Seventy-three years later, few speak honestly or completely about what happened. ABSENT is a cinematic portrait of the ghost village of Mărculești, its current inhabitants, and their very complex relationship to their own history. Filmed entirely on location, the film documents one of Europe's poorest, most remote, and least-visited places.

Untamed Romania provides insight into the stunning natural wonders of Romania, with the Carpathian Mountains, the Danube Delta, and Transylvania as its major areas of interest.

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

In 1947, Yugoslav President Josip Broz Tito visited, for the first time, Romania. Its communist regime gave him, as present, a painting from a great Romanian artist Ion Andeescu: 'The Leafless Forest'. In the 60s, a young art critic, Radu Bogdan, decided to elaborate a monograph dedicated to the great painter, including reproduction of the painting given to Tito. After countless problems, he obtained the permission to photograph the painting. The moment they took the painting off the wall, they found - a microphone. Somebody was spying on Tito...

A documentary about the Kosmos collective in Timisoara: a self-organized group of artists, curators, and musicians who revived a former textile factory.

In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.

Elena Stoica, a resident doctor at a hospital, faces a silent enemy: tuberculosis. With the healthcare system in ruins and no real hope for treatment, Elena devises a dangerous lie, a fictitious trip to a medical congress in Paris.

A documentary about World War II, also known as the "Holy War" while Romania was an ally to Nazi Germany. The propagandistic nature of the film is evident through its overt anti-semitism and ultra-nationalist tone.