Carol I

A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.

1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.

A documentary about the Kosmos collective in Timisoara: a self-organized group of artists, curators, and musicians who revived a former textile factory.

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

Charming amateur film featuring the Eisner family, who emigrated to Britain from Romania the year this film was made.

Me sem s-ar tu

A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.

Ștei

A documentary portrait of legendary Perfect Ten gymnast Nadia Comaneci after becoming an icon in the 1976 Olympics, during her Romanian period, and her challenging years under the dictatorship of Nicolae Ceausescu.

Horia Colibasanu is a dentist, father of two boys and elite climber. In 2008, he refused to abandon, at 7400 meters on the Annapurna, his sick companion, the Basque mountaineer Iñaki Ochoa de Olza, implanted his own life in danger. His action dazzled the climbing community. Despite this tragic incident, he continued to climb in pure alpine style, without supplemental oxygen. In 2017, the 40-year-old Romanian athlete will return to Everest, after two unsuccessful attempts. For the first time, Horia is attempting a solo ascent.

During the anti-communist uprisings of the late 1950s, a writer of comedic poems against socialism was constantly pursued by Securitate troops.

The true story of Traian Popovici, a Romanian Mayor that saved 20,000 Jewish People from death during WWII and his friend, who married a Jewish woman against Hitler's orders.

In the south-east of Europe lies a natural jewel that is unparalleled: Romania. Bears and wolves still roam its inaccessible forests, in its remote villages people still live in harmony with nature - many things appear as in times long past for us. Romania is still home to animals and traditions that have long been lost in other regions: marmots inhabit the high meadows of the Carpathian Mountains, where shepherds graze their sheep in summer. Colorful bee-eaters live in Transylvania and pelicans fish in the Black Sea. With impressive images, this high-quality nature documentation takes you to surprisingly unknown, wild Romania.

Recorded over 10 years, România Sălbatică shows the colorful beauty of Romanian nature accompanied with wildlife.

Set in the dense forests of 1940s Eastern Europe, this story reveals the supernatural encounters that challenge three soldiers' understanding of life and death.

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.

On June 29, 1941 thousands of Jews were herded into a courtyard in Iasi, Romania and were massacred by German and Romanian soldiers. Many of the Jacobovicis of Romania died that day. Canadian filmmaker Simcha Jacobovici goes back to the land of his forebears and explores issues of memory - his and Romania's. Charging the Rhino is a documentary about the Romanian Holocaust. Romanian fascists shot filmmaker Simcha Jacobovici’s father, Joseph, during WWII. Romanian communists shot his cousin, Sasha, during the Cold War. Through their stories the film explores the devastating history of fascism and communism in Romania and the life-altering affect it had on the psyche of those who endured Romania’s unimaginable.