Alyona, Alika and Katya dream of love and friendship, but most of all of leaving Putin’s Russia. When the war against Ukraine breaks out, it becomes harder for the three young women to leave the vast country in the East, but also even more unbearable to stay. So one has left for Georgia, another for Spain, while the third stays behind in Russia. Their generation does not believe that political engagement changes anything. Instead, they show their resistance by living a modern and more Western life, where gender, sexuality, pop music and identity issues are vital. Set at night in cars, apartments and backyards, Sybilla Tuxen’s dark and artistically uncompromising debut film tells the story of a rebellious yet resigned section of Russian youth on the fringes of established society.
A documentary on the six-decades long career of a muckraking journalist, who was involved with the radical 196os magazine Ramparts, with the Los Angeles Times newspaper, and later with the Internet website Truthdig.
In 1976, the Tate Gallery exhibited an experimental artwork that became a national sensation - Carl Andre's Equivalent VIII, or, to its detractors, 120 bricks laid on the floor. This documentary explores the origins of Andre's work and the extraordinary fallout from its exhibition.
North German community journalists: an endangered species. Their Mission: to find and process local stories – and the desperate search for them. Their nemesis: digitalisation. Their everyday business: amateur football, toad migrations and the community bus.
A revealing and moving portrait of lives compromised by war, filmed exclusively by Ukrainian soldiers with extraordinary access to a tightly-controlled frontline.
The war in the Ukraine has changed the way many European countries view Russian politics. Suddenly it became clear how dependent countries had become on Russian gas imports for decades and what Vladimir Putin was up to. However, no country needs more gas than Germany. It was only after Russia's invasion of the Ukraine that the German government realized that Russia had long used gas as a weapon to impose its will on states. The instrument created for this purpose is the natural gas production company GAZPROM. So how did Germany become so dependent on Russian gas? The documentary shows how, over several decades and several changes of government, a broad alliance of politicians and business representatives did everything possible to secure Germany's energy supply with cheap Russian gas, while the Kremlin's foreign policy became increasingly aggressive and the warnings of experts went unheeded.
This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics.
A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.
From the front lines of the bankrupt Chicago Tribune, to the vibrant local online publishing and start-up scene, pioneering journalists struggle to reinvent a storied, yet troubled industry. "Mashed Media" visits bloggers, independent publishers, hacker journalists, and social media mavens working in the trenches of Chicago, providing a rare and intimate look at the future of journalism now.
This is a once in a generation event that needs to be examined without the usual spin that is delivered by the controlled media. While the video will be interpreted one way or the other, it is one that supports the voice of reason and of peace rather than jingoistic war drums and the cacophony of white noise.
In the heart of Sicily, where the Mafia still rules, one man and his family-run TV station, has become the lone voice against corruption and organized crime.
Should we believe everything we hear on the news? Can we trust the national media? Are we being fed the truth or an agenda? The 60 Minutes Deception takes you behind the scenes of one of America's most popular and longest running news magazine shows and reveals a shocking web of deceit! In The 60 Minutes Deception you will witness firsthand: How a dedicated and courageous journalist was viciously smeared by "60 Minutes" at the request of the White House. How Mike Wallace, the host of "60 Minutes," deliberately omitted crucial evidence and distorted interview responses through manipulative editing. Why the major news media refuses to report the truth about certain political scandals and the abuse of power. The 60 Minutes Deception is one of the most important and damaging expos�s ever produces, clearly showing the dishonest tactics used by the mainstream press in providing misinformation to the American people. Must viewing for all concerned Americans!
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
Since Russia was brought to its knees in the 1990s by crippling debt and the grip of the oligarchs following the collapse of the Soviet Union, Vladimir Putin has made it his mission to return superpower status to Russia. While not partisan to Putin's wrongs, this insightful doc examines the logic and motivations of Putin's vilified regime, and why he is so loved in his homeland.
More than twenty years after Vladimir Putin came to supreme power in Russia on May 7, 2000, Russian society is deeply divided. A young, modern generation opposes the growing repression by the regime, which still retains the support of many members of previous generations. Who are these ordinary citizens who dream of living in a different Russia? What price will they have to pay to achieve the freedom and justice they so desire?
A total of 17 journalists have been fired since 2008, the beginning of LEE Myung-bak’s presidential term. They fought against the companies that they worked for succumbing to power and are now frustrated at reality where censorship of the press by authority has now become a norm. Can they continue their activities as journalists?
This documentary study of the mechanisms that turn the gears of the tabloids is conducted by the unique figure Pavel Novotný. This editor-in-chief of one of the most widely read Czech media outlets of the time, providing news from the world of show business and human misfortune, gets straight to the point. Readership is a fetish, an absolute alibi for all invasions of privacy and every transgression of good ethics. Seen up close, the whole cluster of disreputable reports looks like a staged tableau. Before the eager eyes of an anxious public, celebrities willingly or unwillingly perform acts that the scrutiny of the all-powerful tabloid workers attributes racy significance to.
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.
On the 10th anniversary of his band Rall Tide’s debut album, artist Peter Kotas takes you on a flowering multimedia tour of Detroit musicians trying to survive in a world where you can’t even enjoy a baseball game without supporting The Bay of Pigs. Along the way he shows you how the band’s abrupt break-up led to his career as a political journalist peeking behind the curtains of Kansas to find diplomatic wizard Mike Pompeo, Trump’s CIA Director and Secretary of State, wears no clothes. Iowa Writer’s Workshop hero Kurt Vonnegut (or some entity that knows all about his life) hosts this documentary as the ideal human from his 1985 novel Galapagos: a penguin with flippers unable to pull triggers or press buttons to bomb and kill people.