The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
An examination of the how television news in the US has covered war from Vietnam to the present day
More than twenty years after Vladimir Putin came to supreme power in Russia on May 7, 2000, Russian society is deeply divided. A young, modern generation opposes the growing repression by the regime, which still retains the support of many members of previous generations. Who are these ordinary citizens who dream of living in a different Russia? What price will they have to pay to achieve the freedom and justice they so desire?
In 1976, the Tate Gallery exhibited an experimental artwork that became a national sensation - Carl Andre's Equivalent VIII, or, to its detractors, 120 bricks laid on the floor. This documentary explores the origins of Andre's work and the extraordinary fallout from its exhibition.
Matthew Leung Ming-hong had been working as a breaking-news reporter for six years in Hong Kong but recently emigrated to the United Kingdom because of concerns about growing restrictions on journalists working in the city. Three Hong Kong media outlets popular with the opposition have folded in just six months, following the introduction of a controversial national security law in Hong Kong on June 30, 2020, raising fears about the future of press freedom in the city. The 29-year-old is starting a new life in Britain’s northern city of Manchester and plans to eventually resume his journalism career in Europe.
This documentary will provide the first authoritative account of who Vladimir Putin actually is. What drives him, what does he fear, who does he love and hate?
A documentary on the six-decades long career of a muckraking journalist, who was involved with the radical 196os magazine Ramparts, with the Los Angeles Times newspaper, and later with the Internet website Truthdig.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
In the heart of Sicily, where the Mafia still rules, one man and his family-run TV station, has become the lone voice against corruption and organized crime.
This is a once in a generation event that needs to be examined without the usual spin that is delivered by the controlled media. While the video will be interpreted one way or the other, it is one that supports the voice of reason and of peace rather than jingoistic war drums and the cacophony of white noise.
On the 10th anniversary of his band Rall Tide’s debut album, artist Peter Kotas takes you on a flowering multimedia tour of Detroit musicians trying to survive in a world where you can’t even enjoy a baseball game without supporting The Bay of Pigs. Along the way he shows you how the band’s abrupt break-up led to his career as a political journalist peeking behind the curtains of Kansas to find diplomatic wizard Mike Pompeo, Trump’s CIA Director and Secretary of State, wears no clothes. Iowa Writer’s Workshop hero Kurt Vonnegut (or some entity that knows all about his life) hosts this documentary as the ideal human from his 1985 novel Galapagos: a penguin with flippers unable to pull triggers or press buttons to bomb and kill people.
Gazprom, an industrial and financial conglomerate created in 1992, is the key weapon in the Kremlin's geopolitical strategy. First producer of natural gas, Russia indeed holds a third of the world's total reserves. Responsible for producing, distributing and selling it, Gazprom is a company like no other, where gas market professionals work, but also ministers, deputies and advisers close to the Russian president. It was during the winter of 2005-2006 that Europe, which buys 30% of its gas from Russia, suddenly became aware of its vulnerability. Comment ? Overnight, Russia had just cut gas supplies to the pro-Western Ukraine of Viktor Lushchenko, who refused to pay tariffs multiplied by five. Since then, the continuous rise in oil prices, coupled with ever-increasing Chinese demand, has confirmed the key role that its hydrocarbons give to Russia.
A compelling look at the dangerous, continuing risks committed journalists face in Mexico, where reporting on their country’s corruption and “narco politics” has led to the silencing and killing of some of their peers.
A short film following the release of journalist and activist Barrett Brown from prison, and his drive across Texas to a halfway house. 'Relatively Free' is an examination of Brown's return to a very different world, post the election.
Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.
There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...
Nana
Ed Gerlock, Romeo Mariano, and DJ De Guzman shares their experience in documenting a range of events in the decades of media censorship.
A look at the work of a group of reporters and photographers from EFE, a Spanish news agency founded in 1939, which is celebrating its eightieth anniversary. A journey around the world —Mexico, Congo, USA, Libya, France, Spain, China and the Chilean Patagonia— with the purpose of honoring all people who work in the shadows, tirelessly seeking the truth in the era of social networks and fake news.
Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.