This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
On the 23rd of June 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.”The most provocative of the bunch is John Smith’s Who Are We?. Leading up to the Brexit vote, BBC’s Question Time became ever more vicious and confrontational. Who Are We? is a manipulation of one of those broadcasts, with David Dimbleby prompting “you, sir, up there on the far right” repeatedly.“Get our identity back – vote leave!” one audience member shouts, while another declares himself a veteran, followed by a swift manipulated cut to rapturous applause. It’s a heavily edited and remixed edition of Question Time, but by highlighting those in the audience with attitudes ranging from nationalistic to xenophobic, Smith’s short film shows the now normalised extremism within our society and our political discourse.” Scott Wilson, Common Space magazine, April 2017
Everyday Portabella
Ambitious documentary chronicling the cultural life and religious customs of the Sinhalese and the effects of advanced industrialism on such customs.
Renata is a survivor from ED (Eating disorder). In this documentary, she tell us the story of how she dealed with that problem, which had putted her relationships and life at risk.
The Great Valley in Africa - a crack of more than 6,500 kilometers in the earth's crust - is the result of the continental fracture that began about 20 million years ago. Volcanic eruptions, like the spectacular eruption of Hawaii's Kilauea volcano in Genesis, are the result of powerful tectonic processes that continually reshape the earth's surface. “From the first moment a supernova explodes in a burst of light and sound, Genesis audiences won't just have a front row seat to watch the creation of the world. The public will be immersed in the creation itself and will be fully aware that the creation is still going on” – Richmond, News-Leader. "Genesis attests that if the public is offered what it wants, it will break down its doors" -Minneapolis Star.
Restore the classical definition of planet! Bring back planet Pluto! The solar system is twelve!
A small exploration in the cemetery from the township of Sainte-Colombe throught a focus into the light, graveyards, flaggings and funerary plaques.
Some champion exhibits from the National Cat Club Show and the Combined Bird and Aquaria Show, described by W. Cox-Ife, F. Hopkins, and L.C. Mandeville.
A city symphony of kinetic movement in the concrete jungle. A cacophony of textures, layers and surfaces moving in unison and discord yearning for an open horizon.
Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.
This documentary looks at the Nazi submarine threat, their fleet known as the "Wolf Pack," and how it almost helped to defeat the Allies in World War II.
The Invisible Subtitler is an independent documentary about the use of subtitles in cinema and the life of subtitlers themselves, focusing on the economic issues faced by the subtitlers and how they are currently invisible in the globalized business of the film industry.
Maria Lang is my very close filmmaker friend who lives in the southern german countryside. We see her gardening and visiting an exhibition of female impressionist painters.
A devoted pair of little owls set up home in an old orchard in rural Herefordshire. From spring blossom to autumn apples, a year in the life of the parent birds, their baby owls and the old fruit trees.
An homage to the late actor Philip Seymour Hoffman.
Edited by famed filmmaker Kathleen Collins, Statues Hardly Ever Smile follows a group of middle school children during a six-week project at the Brooklyn Museum, where they collectively discover and respond to the Egyptian collection. With narration by a member of the museum’s education department, we witness the group’s daily exercises and reflections as they create a theatre piece centered on the relationships developed with the objects and each other.
"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).
A documentary about the making of, and legacy of, the Forbidden Planet movie.
Hysteria explores issues surrounding women's emotions and sexuality, and their social manifestations.