“Convalescing, when you don't have to participate in the world. Time to read, to dream, to look - the blue, the light of the television, the blue, the book, the patterns the light, the blue. Time to appreciate how much that really is.”
The famous army scout in an exhibition of rifle shooting. A fine picture of the principal, and beautiful smoke effects.
A fascinating pictorial document: On an old, cluttered work ship, a man is helped on with a bulky, old fashioned diving suit. It's a complicated process, many layers and sections are carefully applied. He goes over the side. Some men row out to what looks like a wrecked barge and set dynamite. Then the diver returns and now laughs and acknowledges the camera. The other men, now safely away, blow up the barge.
A short dance film in Pathécolor, also know as stencil colouring. The editing cuts correspond with the dancers' costume changes. More about stencil colouring at http://zauberklang.ch/filmcolors/timeline-entry/1218/.
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
One of Joseph Cornell’s funniest films, Thimble Theater is structured like a vaudeville variety show about nature.
This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "unpleasant" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the "Baltic Sea" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.
Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.
From Elsinore shipyard launched the steamer AP Bemstorff sliding slowly out into the harbor.
Farmers' wives from Amager selling flowers.
Street Trading. Fishermen's wives from Skovshoved sell their fish from the stalls at Gammel Strand. Anker Kirkeby is in the picture.
The horse-drawn tram "Hønen" comes running along Nørregade and into the Old Square. "Hønen"'s last trip was on June 14, 1915.
Horse carriages seen at the Copenhagen Town Square.
From inside a tower, a man admires an artistic rendition of another tower.
The remains of the Baltic Violence have been eroded away by the large steam excavator. There is a man standing at the railway cutting as trains pass. He throws something into the railway cutting. This person is seen in several of the recordings from 1913. It may be journalist Anker Kirkeby.
Street Trading in Copenhagen in about 1913. The old butcher stalls by Nicholas Church, called the "stomach" before demolition.
Swimming. The Russian swimmer Romantschenko visits Copenhagen. He jumps into the water and swims around in the harbor, and he is later seen together with journalist Anker Kirkeby.
A documentary short film showing the flying of an airplane by the famous French pilot Chevillard.
View over the castle island of Holmen's Church and the Stock Exchange from the top of Christiansborg, where architect Thorvald Jørgensen is seen at Christiansborg slotting scaffolding, and with builders in the courtyard. The architect is also seen with stonemasons in the yard.