Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
It's the oldest Brazilian movie that survived and the film that captured the first car race in Brazil.
A documentary on the 1928 Olympic Games in Amsterdam. Made by Istituto Luce, there is an understandable focus on Italian athletes, but it is the first Olympic documentary that describes the techniques of certain events.
A troupe of gypsies takes a traveler along with them on their day trip.
A short, early documentary work showing insects exhibiting extreme strength and agility.
This 10-minute short documentary exploring the shifting state of the American poultry industry was preserved in 2015 from an original nitrate print. More information is available on the film's page in the National Film Preservation Foundation's website, where this version can be found featuring original music by Michael D. Mortilla.
This film records the vast public response to the early death of Vera Kholodnaya, the first star of Russian cinema.
Shurochka, the film’s hero, spends her life walking from one village to another in order to weigh tractors. Yet, this makes just one part of her existence. She dances to Utiosov’s songs, she smiles to the pictures of old Soviet actresses and shows a wonderful taste for life amidst the lonely provincial disorderliness.
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
Documentary by Portuguese Silvino Santos, about the Amazon, its flora, fauna, its inhabitants and among other wonderful images from the beginning of the 20th century with alternating close-up shots of caimans, jaguars and tropical flora with footage of Indigenous rituals--including some of the earliest known moving images of the Indigenous Witoto people--and longer sequences showcasing the region’s extractive industries: rubber, the Brazil nut, timber, fishing, even the egret feathers that were a staple of women’s fashion at the time.
On 18th of December 2017, the Filarmonica Teatro Regio Torino, directed by Timothy Brock, presented "The Gold Rush" by Charles Chaplin, with live performance of the soundtrack. But let's go back a few days: this short film takes us in the backstage of the concert!
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
A method soldier boys have for amusing themselves in their leisure moments. New comrades are frequently initiated by the old-fashioned sport of tossing in a blanket. The newly arrived recruit, who is the victim of their sport, enjoys himself, perhaps, less than the other participants.
The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.
Prix et Profits is a 20-minute short film originally made for educational purposes and released in 9.5mm format. As the title suggests, the film follows the supply chain of a potato, from farmers to consumers, and examines the mechanisms of capitalism.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.