Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.
Quiet 10-year-old Zsofi has just changed schools. Feeling out of place at first, she is quickly admitted to the school’s famous choir and befriends her popular classmate Liza. Soon, they have to stand up united against their choir master, who isn’t quite the friendly and inspirational teacher they first thought she was.
In this documentary, we learn about five stories that converge at the same point, the bathroom. Each bathroom tells the story of its inhabitant.
A series of ten black and white shorts.
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.
«James Paul McCartney» is a 1973 television special produced by ATV and starring English musician Paul McCartney and his then current rock group Wings. It was first broadcast on 16 April 1973 in the United States on the ABC network, and was later broadcast in the United Kingdom on 10 May 1973. «James Paul McCartney» was McCartney's first such special since the Beatles' 1967 television film «Magical Mystery Tour» and was intended to showcase his versatility as an artist and entertainer.
'The Magic Whip: Made in Hong Kong’ is a 30-minute film about the making of blur’s new album, featuring exclusive interviews and personal studio footage shot by the band.
STUDIO SHIT: NOVEMBER 1995 Some footage appeared in “Fan Can 1,” but it’s all newly edited by Brett Murray. Rehearsals at The Plant Pt. 1 Writing in Lars’ Dungeon Pt. 1 A WEEK AND A HALF IN THE LIFE OF METALLICA PART ONE A Week and a Half in the Life of Metallica: Pt. 1 - London Previously released as part of “Fan Can 2.” Soundcheck (Live in London, England) 2 x 4 (Live in London, England) Devil’s Dance (Live in London, England) A WEEK AND A HALF IN THE LIFE OF METALLICA PART TWO A Week and a Half in the Life of Metallica: Pt. 2 - Castle Donington Previously released as part of “Fan Can 2.” 2 x 4 (Live in Castle Donington, England) Kill/Ride Medley (Live in Castle Donington, England) Devil’s Dance (Live in Castle Donington, England)
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me The Horizon. It was recorded on 22 April 2016 at thr Royal Albert Hall, with accompaniment from the Parallax Orchestra.
A nude woman relaxing on a bed to Minnie Riperton's song Les Fleurs is exited by its chorus. Director Saam Farahmand heats up the body hair debate.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Revealing bio-documentary giving an exclusive look into the life of one of the world's most admired and respected musicians as Bruce Springsteen explores and explains his greatest influences
Grateful Dead celebrate their 60th Anniversary with a highly anticipated return to big screens for the annual theatrical event “Meet-Up At The Movies” in select territories worldwide on August 14. For a limited time only, this special cinematic event allows fans to come together and celebrate the enduring legacy of the Grateful Dead. THE GRATEFUL DEAD MOVIE follows the legendary band on what at the time was believed to be their final performances, a five-night run at San Francisco's Winterland Ballroom in October 1974, the final night billed as “The Last One.” Featuring stellar live performances, mind-bending animation, interviews with band members and crew, the film has a rare focus on the band’s fans and their deep commitment to the Dead Head lifestyle. Be sure to stay till the end for the exclusive theatrical premier of “China Cat Sunflower > I Know You Rider”, a bonus live performance not included in the official release.
In 1996, Cuban bandleader Juan de Marcos Gonzalez, British producer Nick Gold, and American guitarist Ry Cooder convened in Havana to produce a Cuban-Malian collaboration. When the Malians couldn’t get visas, the team turned their attention to reviving a forgotten generation of legendary son cubano musicians and formed an on-the-fly ensemble: the Buena Vista Social Club. Two decades since that fateful first session, we catch up to these master musicians, as they reflect on the magical unfolding of their lives—from humble origins to the evolution and surprising revival of their careers, all against the backdrop of Cuba’s dramatic history. Brimming with unseen concert, rehearsal, and archival footage, this film is an emotional, shimmering celebration of music’s power to transcend age, ideologies, and class, and to connect us to each other through our souls.