Bright Future

O Que Acontece Por Trás Das Câmeras

The film weaves together archival footage of Yugoslavia’s idealized unity with a personal investigation into the filmmaker’s grandfather’s imprisonment under the regime. Rooted in archival theory, the project questions the authority of official histories, exploring how archives shape power and memory.

Bob Woodruff’s daring 880-mile journey along the China-North Korea border examines the delicate relationship between the two countries and the United States.

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.

True crime meets global spy thriller in this gripping account of the assassination of Kim Jong-nam, the half brother of the North Korean leader. The film follows the trial of the two female assassins, probing the question: were the women trained killers or innocent pawns of North Korea?

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

They speak the same language, share a similar culture and once belonged to a single nation. When the Korean War ended in 1953, ten million families were torn apart. By the early 90s, as the rest of the world celebrated the end of the Cold War, Koreans remain separated between North and South, fearing the threat of mutual destruction. Beginning with one man's journey to reunite with his sister in North Korea, filmmakers Takagi and Choy reveal the personal, social and political dimensions of one of the last divided nations on earth. The film was also the first US project to get permission to film in both South & North Korea.

Composed of images filmed in April 1975, a few months before the Green March, during an expedition of more than 3000 kilometres across the then Spanish Sahara, a unique testimony of the life of this region in an era in which it was preparing for its independence.

Dans la peau de Kim Jong-Un

Having been granted special permission to film inside one of the most secretive countries in the world, Britain's fastest snowboarder sets off to experience first hand this country we know so little about.

Intimate and fragmented moments unfold in a community of zoos and animal rescue centers across Argentina. As histories of these institutions are uncovered, dedicated workers commit both day and night to caring for the remaining enclosed animals, fostering a mutual bond that transcends imagined boundaries between human and animal.

About five years after her film, Hana, dul, sed ... (2009), filmmaker Brigitte Weich returns to North Korea to ask four women on the national football team how their lives have evolved. In a friendly and congenial cooperation between the filmmaker and her protagonists, a work arises that not only tells about the concrete life of a professional athlete in North Korea, but also poses the question of the images that we all make of ourselves to give meaning to our lives and the world.

Mein Besuch in Nordkorea

On 22 June 1941, the German Wehrmacht launched a war of aggression against the Soviet Union. Under the code name ‘Operation Barbarossa’, the campaign aimed to bring the vast country in the east to its knees. Millions of people died as a result.

The discovery of one of the world’s last remaining communist countries, North Korea, seen through the eyes of a young woman from Antwerp of Korean origin. Adopted as a Belgian citizen, she decides to return to her native country, whose language she does not even speak. A stereotypical vision of everyday life in North Korea? The filmmaker instead sought to meet the men and women who live there. Wherever nature unfolds and human life persists, there are always sounds that break the silence—even in the “Land of the Morning Calm.” Thanks to Mi Kyong, the interpreter whose role gradually shifts to become the central figure of the film, we are introduced to the daily life of this remote country, which has been living for more than 50 years through a unique communist experience.

How is it possible that North Korea, one of the poorest countries on earth finances a nuclear weapons program large enough to challenge the USA? The answer: Bureau 39, a legendary organization nestled deep inside the government apparatus. Its aim is to procure foreign exchange by any means possible to provide Kim Jong-un’s regime with money.

Marcel Proust's "In Search of Lost Time" is one of the great novels of world literature. The documentary immerses itself in the very own cosmos, spanning 3,000 pages and hundreds of characters, for which Proust's own world was the source of inspiration, and brings Proust's moral portrait of the Belle Epoque to new life.

Amarás al líder sobre todas las cosas

Dennis Rodman is on a mission. After forging an unlikely friendship with North Korean leader Kim Jong-un, he wants to improve relations between North Korea and the US by staging a historic basketball game between the two countries. But the North Korean team isn't the only opposition he'll face... Condemned by the NBA and The Whitehouse, and hounded every step of the way by the press, can Dennis keep it together and make the game happen? Or will it go up in a mushroom cloud of smoke? For the first time, discover the true story of what happened when Dennis Rodman took a team of former-NBA players to North Korea and staged the most controversial game of basketball the world has never seen.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.