In 2011, Maine State Prison launched a pioneering reform program to scale back its use of solitary confinement. Bafta and Emmy-winning film-maker Dan Edge and his co-director Lauren Mucciolo were given unprecedented access to the solitary unit - and filmed there for more than three years. The result is an extraordinary and harrowing portrait of life in solitary - and a unique document of a radical and risky experiment to reform a prison. The US is the world leader in solitary confinement. More than 80,000 American prisoners live in isolation, some have been there for years, even decades. Solitary is proven to cause mental illness, it is expensive, and it is condemned by many as torture. And yet for decades, it has been one of the central planks of the American criminal justice system.
Narrated by Uncle Jack Charles and seen through the eyes of Indigenous prisoners at Victoria’s Fulham Correctional Centre, this documentary explores how art and culture can empower Australia's First Nations people to transcend their unjust cycles of imprisonment.
A shocking new 2 hour film by B.A. Brooks. This 2010 release is a follow up to "The Decline And Fall Of America" which was released in 2008. "The American Matrix - Age Of Deception" details news items that all people should be aware of such as the economic collapse of The United States and the formation of the a New World Order. See what has really been going on in America today.
When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?
Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.
In prisons ruled by toxic masculinity, dancing is an absolute taboo. But at Lancaster’s A-Yard, near Los Angeles, a group of young men, willing to take a chance to be mocked in the yard, start a dance class led by French choreographer Dimitri Chamblas. This class quickly becomes an intoxicating escape from their grim reality so they decide to create a dance show. In this exceptional context, the inmates engage with overwhelming sincerity, evoking their childhood, ganglife, the crimes, the prison, and their desire for transformation. Beyond damaged lives and a prison system on the edge of the abyss, DANCING IN A-YARD explores redemption and the capacity of human beings to reinvent themselves, when given a chance. And more importantly, how art and introspection can help see the light.
In an age when misinformation, alternative facts, and conspiracy theories have become mainstream, UFOs have risen to become one of the most-talked about pop culture phenomena. With all of this noise, how can we expect anyone to know how much of this is true? What is in our skies? What do we know, and how do we know it? And most importantly: Are we being visited?
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
In rural Nepal, Bishnumaya Gurung, 48 and Palhamu Sherpa, 66 go to primary school everyday and make space for learning in their lives as single women.
From its beginning during the Reagan years through current times, the War on Drugs has left many victims stranded in the prison system. PRISONERS OF THE WAR ON DRUGS reveals life behind bars in the nation’s prisons. Each prisoner has his or her own story, but for most, the story is predictably similar; they have been criminalized for drugs or drug related offenses, locked up with easy access to substances, and given little opportunity for rehabilitation. This film provides an inside look at the prison system, its prisoners and a war on drugs we do not seem to be winning.
Retrospective documentary on the making of the low-budget horror film Prison (1987)
A major figure in contemporary feminism and the first Frenchwoman to win the Nobel Prize for Literature, Annie Ernaux is seen by many as a source of individual and collective emancipation, blending the intimate with the universal. Filmmaker Claire Simon has devoted an original portrait to her, giving students and teachers a voice.
Inmates, all serving life sentences at Pennsylvania's Graterford Prison, openly discuss their crimes, describe the harsh realities of prison life, and offer advice to young people to help them avoid making the same mistakes that have permanently cost them their freedom.
Preschool to Prison is a compelling examination of how the United States public school system is built and operated like prisons. Zero-tolerance policies are used to justify suspension and arrests that set up a pathway to send children of color and children with special needs from school to prison. Children are being suspended, restrained, dragged, physically manhandled, and subsequently arrested for minor offenses such as throwing candy on a school bus. These personal accounts from people affected by the school-to-prison pipeline give riveting tales about the generational impact on society.
This documentary recounts the dysfunctional state of the death penalty in the state of California by revisiting the crimes, arrest, trials and appeals of Lawrence Bittaker, a convicted serial killer who has been on death row at San Quentin since 1981.
For the third time, HBO cameras go inside Trenton State Maximum Security Prison--and inside the mind of one of the most prolific killers in U.S. history--in this gripping documentary. Mafia hit man Richard Kuklinski freely admits to killing more than 100 people, but in this special, he speaks with top psychiatrist Dr. Park Dietz in an effort to face the truth about his condition. Filled with more never-before-revealed confessions, it's the most chillingly candid Iceman special yet as it combines often-confrontational interview footage between Kuklinski and Dietz with photos, crime reenactments and home movies that add new layers to this evolving and fascinating story.
Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.
A nine-year old girl, Naha, who in day-to-day life studies primary education en Wilaya de Smara is the point of departure for this documentary. Through the her family life, teachers, those responsible for Sahrawi education and NGOS, we understand the education system in the camps causing us to be in awe of the patience of the Sahrawi people, refugees for 35 years, holding out hope for a definitive solution to the conflict. This documentary intends to introduce the viewer to the situation of the Sahrawi people in the camps through one of the most basic needs for the development of a community: chidren's education. Education in the Sahrawi refugee camps is supported by women being those that develop and strengthen the task of educating in schools.
Bubisher, as well as being 'the bird of luck', is a word loaded with literary meaning in Spanish in the Sahrawi refugee camps of Tindouf. Seeing the way in which two cultures interact through small stories and tales can is striking and so is the contrast between the resilience of the young female generations and the realities of life in the desert. This documentary paints a picture of a generation of young female Sahrawis.
A documentary short celebrating the life of Louis Braille, his invention of the writing system named after him, and the legacy he has left behind.