Button Blanket

Lonnie Kauk’s personal journey to honor his indigenous Yosemite roots, and to connect with his legendary father by repeating his iconic climbs.

Resident Orca tells the unfolding story of a captive whale’s fight for survival and freedom. After decades of failed attempts to bring her home, an unlikely partnership between Indigenous matriarchs, a billionaire philanthropist, killer whale experts, and the aquarium’s new owner take on the impossible task of freeing Lolita, captured 53 years ago as a baby, only to spend the rest of her life performing in the smallest killer whale tank in North America. When Lolita falls ill under troubling circumstances, her advocates are faced with a painful question: is it too late to save her?

Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.

A documentary film about Comanche activist LaDonna Harris, who led an extensive life of Native political and social activism, and is now passing on her traditional cultural and leadership values to a new generation of emerging Indigenous leaders.

Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.

TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.

Five Bolivian indigenous women share one goal: climbing the highest mountain in America.

On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.

Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.

Waking up in a nightmare before the sunrise of December 30, 2020, the indigenous community of the Tumandok was suddenly surrounded by fear. Panambi features the stories of bright memories of the past and the despair of having now as a mere memory of the future without a trace of justice; how they lived and what they lived for. A decades-long struggle is shot, one in the lens of a mother paralyzed by fear; another from a mother raged and moved by fear—both looking forward to a better tomorrow.

Nose and Tina are a couple in love. The film captures the domestic details of their life together and documents their hassles with work, money and the law. The unusual bit: He is employed as a brakeman, and she as a sex worker.

A poignant all-Indigenous English and Cree-English collaborative documentary that breaks long-held silences imposed upon indigenous children who were interned at the notoriously violent St. Anne’s Residential School in Fort Albany First Nation, Ontario. Use of a homemade electric chair at St. Anne's and the incorporation of testimony about student-on-student abuse makes this documentary stand apart from other films about Canadian residential school experiences. This film will serve as an Indigenous historical document wholly authored by Indigenous bodies and voices, those of the Survivors themselves.

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.

Through the figure of Lakota activist and community organizer Madonna Thunder Hawk, this inspiring film traces the untold story of countless Native American women struggling for their people's civil rights. Spanning several decades, Christina D. King and Elizabeth A. Castle's documentary charts Thunder Hawk's lifelong commitment, from her early involvement in the American Indian Movement (AIM), to her pivotal role in the founding of Women of All Red Nations, to her heartening presence at Standing Rock alongside thousands protesting the Dakota Access Pipeline. She passed her dedication and hunger for change to her daughter Marcy, even if that often meant feeling like comrades-in-arms more than mother and child. Through rare archival material—including amazing footage of AIM's occupation of Wounded Knee—and an Indigenous style of circular storytelling, Warrior Women rekindles the memories and legacy of the Red Power movement's matriarchs.

Story about life and death according to Chukchi people who live in Chukchi Peninsula as far in the East as one can go.

A mountainous expanse of the Solomon Islands, known as Sky Aelans, hides in the clouds. Here, there is a chorus of animals, every tree has a story and every drop of water carries a memory. But despite a 2018 pledge to protect mountain regions above 400 meters, this land is being threatened and the Indigenous communities who live in these mountain forests are the last protectors of these high sacred places. They are not simply seeking to save themselves and the land they love, but the creatures who inhabit this pristine island in the clouds.

This short documentary depicts an Aboriginal Winnipeg teen’s struggle to stay in school and away from local gangs. Filmed over 2 years, the film is a moving portrait of one family trying to break the cycle of addiction, violence and poverty in an environment filled with anger and despair.