A portrait of Łódź, Poland that exists in a time-warp of sad memory.
Peter Hutton’s essay on the naturalization of the urban landscape. Voluptuously gray, worn and lived in, the city is like a stage set for an invisible drama.
A film documenting the landscapes of northern Iceland.
A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
A hotel room and a few sweets, their wrappers stacked like gold leaf... An interview with Chantal Akerman and ongoing coverage of the 2015 terrorist attacks in Paris, and what emerges is a genuine tragedy, as simple as Racine's.
Documentary on the recording of the Album Una vez iniciado el fuego by Sakatumba
Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.
A short film by Encyclopedia Pictura.
A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes. Unless her life in the bedroom becomes an obsession, she lives through the other scenes.
A short documentary about the press of GoldenEye.
A portrait of 10 senior dogs and their owners who struggle with the thought of letting go.
Tessa Hughes-Freeland’s “Baby Doll” is a tiny slice of cinéma vérité from 1982 about the girls working the now defunct Baby Doll Lounge on Church and White St. in downtown Manhattan. It captures a moment before NYC got sanitized.
One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club
Barcelona, Christmas 2019 with epilogue in Berlin. Silent. Kodak 500T
Two young women try to adapt to a new city: nostalgia, loneliness, friendship and family are mixed throughout the emotional process of both characters. A reflection on the sense of belonging and the experience of being a foreigner.
A young man living with his parents in Wisconsin comes face to face with a terrifying monster while searching for the elusive cryptic known as the Hodag.
In the outskirts of Recife, something that has always accompanied us is “being together”: Parties, dances, weekend meetings. It is an essential need to cope with everything we face in everyday life.
In the native city of the film's author, crows have been breeding which residents treat as temporary and unwanted guests...