Confession

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Alban lives in a castle that he has just inherited in a small village in Charente-Maritime. Inside, the dilapidation has long since taken hold. He meets Jérôme, a young gypsy from the neighbouring town, with whom he has a sexual relationship. In this space that is impossible to rebuild, a strange intimacy is gradually invented, barely disturbed by the interruption of a young woman who has come to spend a few days in this residence.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

A short film by John G. Avildsen.

In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…

This is a time when we learn afresh that nothing lasts forever and that the variability is an integral part of everyday life. What is a river today does not mean that tomorrow will not become a sea. Life itself is one large metamorphosis, and the human being is its variable shape...

Rather pointless, rather stilted, fetid; not what we want us going after.

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.

Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

Yo creo que...

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.

Repurposing and manipulating classic film footage and the filmmaker’s personal footage, the film weaves a phantasmagoric narrative of a Chinese lady named Ma Li who dreams she is a Caucasian named Mary.

A student movie loosely based on the short story by Sadegh Chubak

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.